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        <title>Laura Vanel-Coytte:ce que j'écris,ce(ux)que j'aime - la_litterature</title>
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                <title>Fabula, actualité des études littéraires</title>
                <link>http://www.lauravanel-coytte.com/archive/2012/02/07/fabula-actualite-des-etudes-litteraires1.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                                <pubDate>Sat, 11 Feb 2012 00:51:00 +0100</pubDate>
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                    &lt;div id=&quot;yui_3_2_0_1_1328624659637240&quot; class=&quot;tripane message content showqr&quot;&gt;&lt;div class=&quot;y-module message-header&quot;&gt;&lt;div class=&quot;info&quot;&gt;&lt;div class=&quot;focusholder&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id=&quot;yui_3_2_0_12_132862465963723&quot; class=&quot;msg-body inner  undoreset&quot;&gt;&lt;div id=&quot;yiv118223790&quot;&gt;&lt;h3 id=&quot;yui_3_2_0_1_1328624659637251&quot;&gt;&lt;img id=&quot;fs15372&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.fabula.org&lt;/a&gt;&lt;/h3&gt;&lt;span&gt;&lt;span&gt;&lt;strong&gt;1. Lettre d'information / Parutions, publications&lt;br /&gt;&lt;/strong&gt;Édition du dimanche 15 janvier 2012&lt;/span&gt;&lt;/span&gt;&lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;&lt;p&gt;&lt;strong&gt;ACTA FABULA&lt;/strong&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Derniers articles parus dans la revue &lt;em&gt;&lt;img id=&quot;fs26446&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Acta fabula&lt;/a&gt;&lt;/em&gt;, revue des parutions en théorie littéraire :&lt;/li&gt;&lt;/ul&gt;&lt;strong&gt;Janvier 2012 : &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;img id=&quot;fs19612&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/1995626112.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6688.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le romantisme français&amp;nbsp;: un absolu bien relatif&lt;/a&gt;, &lt;strong&gt;Virginie&lt;span&gt; Tellier&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs15477&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6668.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Comment vivre sa vie&amp;nbsp;? Accepter sa vie hors de soi pour se situer dans le monde &amp;amp; devenir un sujet moral&lt;/a&gt;, &lt;strong&gt;Alexandra&lt;span&gt; Borsari&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;img id=&quot;fs20195&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6692.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Signes &amp;amp; interprétation chez Rabelais&lt;/a&gt;, &lt;strong&gt;Nicolas&lt;span&gt; Le Cadet&lt;/span&gt;&lt;/strong&gt;&lt;div&gt;&lt;img id=&quot;fs28208&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6697.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Duras, l’œuvre intime&lt;/a&gt;, &lt;strong&gt;Anne-Laure&lt;span&gt; Rigeade&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs22339&quot; 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rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Source scellée de l’écriture &amp;amp; forme révélée de la lecture&amp;nbsp;: la&amp;nbsp;symphonie proustienne&lt;/a&gt;, &lt;strong&gt;Philippe&lt;span&gt; Richard&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs27187&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6683.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L’exubérante brièveté de George Sand&amp;nbsp;: de l’ambiguïté de l’écriture du fragment…&lt;/a&gt;, &lt;strong&gt;Nicole&lt;span&gt; Michel-Grépat&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs19100&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6673.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Nouvel essai de textanalyse&amp;nbsp;: à propos de &lt;em&gt;L'Ombrelle rouge &lt;/em&gt;de W.&amp;nbsp;Jensen&lt;/a&gt;, &lt;strong&gt;Jacques&lt;span&gt; Chabot&lt;br /&gt;&lt;br /&gt;Novembre-Décembre 2012 :&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;p&gt;&lt;img id=&quot;fs4968&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;/p&gt;&lt;div&gt;&lt;img id=&quot;fs10802&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6640.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Claude Duchet, un activisme critique&lt;/a&gt;, &lt;strong&gt;Boris&lt;span&gt; Lyon-Caen&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs17612&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6647.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;La nébuleuse philosophique &amp;amp; littéraire du romantisme anticapitaliste&lt;/a&gt;, &lt;strong&gt;Bertrand&lt;span&gt; Guest&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs218&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6625.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L’île, ses séductions &amp;amp; ses écueils&lt;/a&gt;, &lt;strong&gt;Myriam&lt;span&gt; Marrache-Gouraud&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;img id=&quot;fs28442&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6617.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Sous le regard absent de Balthazar&lt;/a&gt;, &lt;strong&gt;Laurence&lt;span&gt; Giavarini&lt;/span&gt;&lt;/strong&gt;&lt;img id=&quot;fs11100&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6600.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Kafka &amp;amp; la plasticité destructrice&lt;/a&gt;, &lt;strong&gt;Bernard&lt;span&gt; Bourrit&lt;/span&gt;&lt;/strong&gt;&lt;div&gt;&lt;img id=&quot;fs22285&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6604.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Du dictionnaire au compagnon&amp;nbsp;: Beckett en mouvement&lt;/a&gt;, &lt;strong&gt;Matthieu&lt;span&gt; Protin&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs4689&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6608.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Comment se construit l’identité nationale&amp;nbsp;? La réponse de la littérature d’Ancien Régime&lt;/a&gt;, &lt;strong&gt;Adeline&lt;span&gt; Desbois&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs18047&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6583.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Fous &amp;amp; folies au temps des avant-gardes&lt;/a&gt;, &lt;strong&gt;Marc&lt;span&gt; Décimo&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs21834&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6581.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;«&amp;nbsp;Nul n’échappe décidément au journalisme…&amp;nbsp;». Le rôle de la presse dans l’invention littéraire, de Mallarmé à Rolin&lt;/a&gt;, &lt;strong&gt;Roxana&lt;span&gt; Vicovanu&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;img id=&quot;fs20335&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6642.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&amp;nbsp;Le regard du collectionneur fait livre&lt;/a&gt;, &lt;strong&gt;Matthieu&lt;span&gt; Gosztola&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs13358&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6633.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;De «&amp;nbsp;l’effet&amp;nbsp;» en poésie&amp;nbsp;: la théorie de l’évocation de Marc Dominicy&lt;/a&gt;, &lt;strong&gt;Sabrina&lt;span&gt; Parent&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs30821&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6639.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Danse dans les chaînes&lt;/a&gt;, &lt;strong&gt;Marc&lt;span&gt; Hersant&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs20640&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6612.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Vers une dramaturgie de la conscience&lt;/a&gt;, &lt;strong&gt;Maxime&lt;span&gt; Decout&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs9422&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6619.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Contre‑utopies&amp;nbsp;: les romans de Roth &amp;amp; de Kundera face à l’Histoire &amp;amp; au réel&lt;/a&gt;, &lt;strong&gt;Vanessa&lt;span&gt; Besand&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;img id=&quot;fs28518&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6588.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Une histoire littéraire de l’extra-monde&lt;/a&gt;, &lt;strong&gt;Corinne&lt;span&gt; Bayle&lt;/span&gt;&lt;/strong&gt;&lt;div&gt;&lt;img id=&quot;fs24892&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6589.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;La mémoire &amp;amp; la langue&amp;nbsp;: Aharon Appelfeld, entre Histoire &amp;amp; fiction&lt;/a&gt;, &lt;strong&gt;Orly&lt;span&gt; Toren&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs25122&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6591.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Apollinaire et les limites&lt;/a&gt;, &lt;strong&gt;Ioana&lt;span&gt; Bota&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs15029&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6574.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;De la biologie à la littérature&amp;nbsp;: pour un roman transcolonial&lt;/a&gt;, &lt;strong&gt;Stéphanie&lt;span&gt; Delcroix&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;img id=&quot;fs17388&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6580.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Savoir pourquoi on lit la littérature n’est pas savoir pourquoi on l’aime&lt;/a&gt;, &lt;strong&gt;Béatrice&lt;span&gt; Bloch&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;span&gt;&lt;span&gt;Dossier critique (décembre 2011, volume 12, numéro 9) : &quot;Le mal, en mots et en images&quot;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;img title=&quot;ropsblackmass-1883.jpg&quot; src=&quot;http://fr.mg40.mail.yahoo.com/ya/download?mid=1%5f3445%5fAKq97k0AAI1sTxODvAz0hRtI9mQ&amp;amp;pid=2&amp;amp;fid=%25e0%2520metttre%2520sur%2520blog&amp;amp;inline=1&amp;amp;appid=YahooMailNeo&quot; alt=&quot;ropsblackmass-1883.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;Le mal a progressivement contaminé les arts du «&amp;nbsp;court XX&lt;sup&gt;e&lt;/sup&gt;&amp;nbsp;siècle&amp;nbsp;», modifiant profondément le rapport au réel et les façons d’en rendre compte. &lt;em&gt;&lt;img id=&quot;fs16760&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Acta fabula&lt;/a&gt; &lt;/em&gt;propose un aperçu de ces questions, en s’intéressant plus précisément à la seconde moitié du siècle. Cinéma, théâtre, littérature, philosophie, psychanalyse sont autant de domaines, qui ont dû composer avec et sur le mal. &lt;img id=&quot;fs18306&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6654.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;O.&amp;nbsp;El&amp;nbsp;Mansouri présente&lt;/a&gt; les mises en scène de &lt;em&gt;Titus Andronicus&lt;/em&gt;, à partir de &lt;img id=&quot;fs6876&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/i-blanchet-beucher-les-mises-en-scene-de-l-effroi-titus-andronicus-france-et-angleterre_39797.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;l’étude de S. Blanchet‑Beucher&lt;/a&gt;, quand &lt;img id=&quot;fs3111&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6653.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P.&amp;nbsp;Coudurier questionne&lt;/a&gt; les &lt;img id=&quot;fs25399&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-rollet-une-ethique-du-regard_45752.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;analyses de S.&amp;nbsp;Rollet&lt;/a&gt; sur le traitement par le cinéma des génocides. S.&amp;nbsp;Lacoste revient, pour sa part, sur les &lt;img id=&quot;fs22133&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6661.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;vertus heuristiques de Sade&lt;/a&gt;, dont É.&amp;nbsp;Marty a démontré &lt;img id=&quot;fs26607&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/e-marty-pourquoi-le-xxe-siecle-a-t-il-pris-sade-au-serieux_43419.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;l’omniprésence dans les modernes sciences humaines&lt;/a&gt;. &lt;img id=&quot;fs13475&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document5735.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S.&amp;nbsp;Lacoste et M.&amp;nbsp;Vernet&lt;/a&gt; reviennent, enfin, sur l'histoire du mal, depuis la Révolution, à partir d’un collectif consacré aux &lt;img id=&quot;fs17188&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/article28273.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;«&amp;nbsp;Puissances du mal&amp;nbsp;»&lt;/a&gt;, en tentant par là d'éclairer la confusion morale qui hante encore notre XXI&lt;sup&gt;e&lt;/sup&gt;&amp;nbsp;siècle.&lt;/p&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs4620&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6653.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le film, un lieu de mémoire&amp;nbsp;: l’inimaginable mis en images&lt;/a&gt;, &lt;strong&gt;Perrine&lt;span&gt; Coudurier&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : Sylvie Rollet, &lt;img id=&quot;fs28049&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-rollet-une-ethique-du-regard_45752.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;Une éthique du regard. Le cinéma face à la Catastrophe, d’Alain Resnais à Rithy Panh.&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs7175&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document5735.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Modernités du mal&lt;/a&gt;, &lt;strong&gt;Matthieu&lt;span&gt; Vernet&lt;/span&gt; et Sarah &lt;span&gt;Lacoste&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;sur : &lt;img id=&quot;fs16539&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/article28273.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;Modernités&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;img id=&quot;fs10818&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/article28273.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;, 29/2008, «&amp;nbsp;Puissances&lt;/a&gt;&lt;img id=&quot;fs29089&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/article28273.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;du mal&amp;nbsp;»&lt;/a&gt;, textes réunis et présentés par Pierre Glaudes et Dominique Rabaté.&lt;br /&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs12103&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6661.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Les vertus heuristiques de Sade&lt;/a&gt;, &lt;strong&gt;Sarah&lt;span&gt; Lacoste&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : &amp;nbsp;Éric Marty, &lt;img id=&quot;fs6414&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/e-marty-pourquoi-le-xxe-siecle-a-t-il-pris-sade-au-serieux_43419.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;Pourquoi le XXe siècle a‑t‑il pris Sade au sérieux&amp;nbsp;?&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs6610&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6654.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le regard médusé&amp;nbsp;: pratiques &amp;amp; valeurs de l’effroi à travers les mises en scène contemporaines de &lt;em&gt;Titus Andronicus&lt;/em&gt;&lt;/a&gt;, &lt;strong&gt;Ouafae&lt;span&gt; El Mansouri&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : Isabelle Blanchet-Beucher, &lt;img id=&quot;fs10940&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/i-blanchet-beucher-les-mises-en-scene-de-l-effroi-titus-andronicus-france-et-angleterre_39797.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;Les Mises en scène de l’effroi, &lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;img id=&quot;fs5658&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/i-blanchet-beucher-les-mises-en-scene-de-l-effroi-titus-andronicus-france-et-angleterre_39797.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Titus Andronicus&lt;/a&gt;&lt;img id=&quot;fs12967&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/i-blanchet-beucher-les-mises-en-scene-de-l-effroi-titus-andronicus-france-et-angleterre_39797.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt; (France et Angleterre)&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;&lt;p&gt;&lt;strong&gt;ATELIER DE THEORIE LITTERAIRE&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;img id=&quot;fs22091&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/atelier.php?Anachronisme_de_Didi-Huberman&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L'anachronisme pas tout à fait contrôlé de Georges Didi-Huberman, par Claire Paulian&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img id=&quot;fs32771&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/atelier.php?La_theorie_litteraire_est-elle_anachronique&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;La théorie littéraire est-elle anachronique? par Arnaud Welfringer &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img id=&quot;fs943&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/atelier.php?Anachronies&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Anachronisme et anachronie: une mise au point, par Frédérique Fleck&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img id=&quot;fs31278&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/atelier.php?Le_geste_critique&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le geste critique entre commentaire et théorie, entretien avec Dominique Rabaté&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img id=&quot;fs18021&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/atelier.php?Fictions_transfuges&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Fictions transfuges, par Richard Saint-Gelais&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;&lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;&lt;p&gt;&lt;strong&gt;PARUTIONS&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;- &lt;img id=&quot;fs30238&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/je-vois-sans-yeux-et-sans-bouche-je-crie-vingt-quatre-sonnets-de-petrarque-traduits-par-y-bonnefoy_48860.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Je vois sans yeux et sans bouche je crie&lt;/em&gt;, Vingt-quatre sonnets de Pétrarque traduits par Y. Bonnefoy&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32667&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-derrida-histoire-du-mensonge-prolegomenes_48859.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Derrida,&amp;nbsp;&lt;em&gt;Histoire du mensonge. Prolégomènes&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22574&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-derrida-les-yeux-de-la-langue-l-abime-et-le-volcan_48858.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Derrida, &lt;em&gt;Les Yeux de la langue. L’abîme et le volcan.&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29334&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revue-d-histoire-litteraire-n-1-2012-le-pastiche-dans-tous-ses-etats_48852.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Revue d'histoire littéraire de la France&lt;/em&gt;, n° 1, 2012 - &quot;Le pastiche dans tous ses états&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28033&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/recherches-en-esthetique_48850.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Recherches en Esthétique&lt;/em&gt;, n°17, &quot;Le trouble&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15127&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/w-muschg-freud-ecrivain_48849.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;W. Muschg et J. Schotte, &lt;em&gt;Freud écrivain&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs339&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/e-wizisla-walter-benjamin-et-bertolt-brecht-histoire-d-une-amitie_48848.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;E. Wizisla, &lt;em&gt;Walter Benjamin et Bertolt Brecht - Histoire d'une amitié&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9185&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/claude-simon-quatre-conferences_48847.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Claude Simon, &lt;em&gt;Quatre conférences&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5613&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/critique-n-776-777-populismes_48846.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Critique&lt;/em&gt; n° 776-777 : &quot;Populismes&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18024&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/w-marx-le-tombeau-d-oedipe-pour-une-tragedie-sans-tragique_48845.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;W. Marx, &lt;em&gt;Le Tombeau d'Oedipe. &lt;/em&gt;&lt;em&gt;Pour une tragédie sans tragique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9751&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/gerard-genette-apostille_48841.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;G. Genette, &lt;em&gt;Apostille&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs25839&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bourdieu-les-regles-de-l-art-genese-et-structure-du-champ-litteraire-reed-poche_48839.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Bourdieu, &lt;em&gt;Les Règles de l'art. Genèse et structure du champ littéraire &lt;/em&gt;(rééd. poche)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15162&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bourdieu-meditations-pascaliennes-reed-poche_48838.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Bourdieu, &lt;em&gt;Méditations pascaliennes&lt;/em&gt; (rééd. poche)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15006&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-f-foldenyi-melancolie-essai-sur-l-ame-occidentale_48836.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L. F. Földényi, &lt;em&gt;Mélancolie. Essai sur l'âme occidentale&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs17821&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/d-guerin-ed-ni-dieu-ni-maitre-anthologie-de-l-anarchisme-reed-poche_48835.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;D. Guérin (éd.), &lt;em&gt;Ni Dieu ni Maître. Anthologie de l'anarchisme&lt;/em&gt; (rééd. poche)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6496&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/i-tschistiakov-journal-d-un-gardien-du-goulag_48834.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;I. Tschistiakov, &lt;em&gt;Journal d'un gardien du goulag&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20309&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/jad-hatembarbey-d-aurevilly-et-schelling_48833.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Hatem, &lt;em&gt;Barbey d’Aurevilly et Schelling&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs11137&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/recherches-en-education_48830.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Recherches en Education&lt;/em&gt;, n°13 : L'enseignement de la Philosophie&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs10205&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-boucheron-n-offenstadt-dir-l-espace-public-au-moyen-age-debats-autour-de-j-habermas_48827.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Boucheron, N. Offenstadt (dir.), &lt;em&gt;L'espace public au Moyen Âge. Débats autour de J. Habermas&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8035&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/mathilde-bertrandpour-un-tombeau-du-poeteprose-et-poesie-dans-l-oeuvre-de-jules-barbey-d-aurevilly_48825.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Bertrand,&amp;nbsp;&lt;em&gt;Pour un tombeau du poète. Prose et poésie dans l’oeuvre de J. Barbey d’Aurevilly&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs21893&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/v-vives-la-musique-anthologie-litteraire-et-philosophique_48824.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;V. Vivès, &lt;em&gt;La Musique. Anthologie littéraire et philosophique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30153&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/pseudo-democrito-scritti-alchemici-con-il-commentario-di-sinesio-edizione-critica-del-testo-greco-_48823.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Pseudo-Democrito,&amp;nbsp;&lt;em&gt;Scritti alchemici, con il commentario di Sinesio. Edizione critica del testo greco, traduzione e commento&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs17154&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-m-pamart-deleuze-et-le-cinema_48822.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-M. Pamart, &lt;em&gt;Deleuze et le cinéma&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs12164&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/fabrice-chassotle-dialogue-scientifique-au-xviiie-siecle-postetite-de-fontenelle-et-vulgarisation-_48820.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Fabrice Chassot,&amp;nbsp;&lt;em&gt;Le Dialogue scientifique au XVIII&lt;sup&gt;e&lt;/sup&gt; siècle. Postétité de Fontenelle et vulgarisation des sciences&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4850&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/h-d-thoreau-journal-volume-i-1837-1840_48815.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;H. D. Thoreau, &lt;em&gt;Journal - volume I : 1837-1840&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15757&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-buvik-identites-des-contraires-sur-georges-bataille-et-le-christianisme_48810.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Buvik, &lt;em&gt;Identités des contraires. Sur Georges Bataille et le christianisme&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4112&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/archer-neil-weisl-shaw-andreea-eds-adaptation-studies-in-french-and-francophone-culture_48803.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Archer, Neil et Weisl-Shaw, Andreea (eds) &lt;em&gt;Adaptation. Studies in French and Francophone Culture&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28358&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-de-mulder-libido-sciendi-le-savant-le-desir-la-femme_48802.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. De Mulder, &lt;em&gt;Libido sciendi. Le savant, le désir, la femme&lt;/em&gt; &amp;nbsp; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs10343&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-cavell-n-balso-les-voix-de-la-raison-wittgenstein-le-scepticisme-la-moralite-et-la-tragedie_48801.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S. Cavell, N. Balso, &lt;em&gt;Les Voix de la raison. Wittgenstein, le scepticisme, la moralité et la tragédie&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs12542&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/g-perec-le-condottiere_48800.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;G. Perec, &lt;em&gt;Le Condottière&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4810&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/europe-993-994-g-perec_48798.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Europe&lt;/em&gt;, 993-994 : G. Perec&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs26354&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/d-estlund-l-autorite-de-la-democratie-une-perspective-philosophique_48796.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;D. Estlund&lt;em&gt;, L'autorité de la démocratie. Une perspective philosophique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs31063&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-accaoui-dir-elements-d-esthetique-musicale-notions-formes-et-styles-en-musique_48795.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Accaoui (dir.), &lt;em&gt;Eléments d'esthétique musicale. Notions, formes et styles en musique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs25429&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/bielecki-emmathe-collector-in-nineteenth-century-french-literature-representation-identity-_48794.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;E. Bielecki, &lt;em&gt;The Collector in Nineteenth-Century French Literature. Representation, Identity, Knowledge&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6355&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/frederique-leichter-flack-le-laboratoire-des-cas-de-conscience_48790.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Fr. Leichter-Flack, &lt;em&gt;Le Laboratoire des cas de conscience&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs22830&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-douzou-lectures-de-lagarce-derniers-remords-avant-l-oubli-juste-la-fin-du-monde_48789.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Douzou, &lt;em&gt;Lectures de Lagarce. Derniers remords avant l'oubli. Juste la fin du monde&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1054&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/heywood-miriammodernist-visions-marcel-proust-s-a-la-recherche-du-temps-perdu-and-jean-luc-godard-s-_48788.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Heywood, &lt;em&gt;Modernist Visions. Marcel Proust’s &lt;/em&gt;A la recherche du temps perdu &lt;em&gt;and Jean-Luc Godard’s&lt;/em&gt; Histoire(s) du cinéma&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21514&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/jean-jacques-rousseau-les-confessions_48780.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-J. Rousseau, &lt;em&gt;Les Confessions&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29715&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/v-lindsay-de-la-caverne-a-la-pyramide-ecrits-sur-le-cinema-1914-1925_48779.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;V. Lindsay, &lt;em&gt;De la caverne à la pyramide - Écrits sur le cin&lt;/em&gt;é&lt;em&gt;ma - 1914-1925&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs7889&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/w-benjamin-lettres-francaises_48778.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;W. Benjamin, &lt;em&gt;Lettres françaises&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3978&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/aude-locatellijazz-belles-lettresapproche-comparatiste-des-rapports-du-jazz-et-de-la-litterature_48774.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Locatelli,&lt;em&gt;&amp;nbsp;Jazz belles-lettres&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30279&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/michael-o-dea-ed-jean-jacques-rousseau-en-2012-puisqu-enfin-mon-nom-doit-vivre_48771.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. O’Dea (dir.),&amp;nbsp;&lt;em&gt;Jean-Jacques Rousseau en 2012: &quot;Puisqu’enfin mon nom doit vivre&quot;&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs13404&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/perspective-la-revue-de-l-inha_48766.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Perspective&lt;/em&gt;. (INHA) : &lt;em&gt;Les Pays-Bas&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3190&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/flaubert-sa-bibliotheque-numerisee_48762.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Flaubert: sa&amp;nbsp; bibliothèque numérisée&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20890&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/corinne-alexandre-garner-lawrence-durrell-dans-l-ombre-du-soleil-grec_48754.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Alexandre-Garner &lt;em&gt;Lawrence Durrell, dans l’ombre du soleil grec&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19612&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/1995626112.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-m-straub-et-d-huillet-ecrits_48751.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-M. Straub et D. Huillet, &lt;em&gt;É&lt;/em&gt;&lt;em&gt;crits&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9294&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-patocka-aristote-ses-devanciers-ses-successeurs_48750.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Patočka, &lt;em&gt;Aristote, ses devanciers, ses successeurs&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2896&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/h-joubert-laurencin-salo-ou-les-120-journees-de-sodome-de-pier-paolo-pasolini_48749.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;H. Joubert-Laurencin, Salò ou les 120 journées de Sodome &lt;em&gt;de Pier Paolo Pasolini&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29573&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/t-constantinesco-ralph-waldo-emerson-l-amerique-a-l-essai_48748.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;T. Constantinesco, &lt;em&gt;Ralph Waldo Emerson - L'Amérique à l'essai&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs27892&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-f-kervegan-que-faire-de-carl-schmitt_48747.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-F. Kervégan, &lt;em&gt;Que faire de Carl Schmitt?&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3448&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/h-bergson-les-deux-sources-de-la-morale-et-de-la-religion-gf-flammarion_48745.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;H. Bergson, &lt;em&gt;Les deux sources de la morale et de la religion&lt;/em&gt; (GF-Flammarion)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs23741&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/alban-cerisier-et-jacques-desse-de-la-jeunesse-chez-gallimard-90-ans-de-livres-pour-enfants-un-_48744.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Cerisier et J. Desse,&amp;nbsp;&lt;em&gt;De la jeunesse chez Gallimard. 90 ans de livres pour enfants. Un catalogue&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs5886&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/h-bergson-matiere-et-memoire_48743.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;H. Bergson,&amp;nbsp;&lt;em&gt;Matière et mémoire &lt;/em&gt;(GF-Flammarion)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs200&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-canfora-le-copiste-comme-auteur_48742.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L. Canfora, &lt;em&gt;Le Copiste comme auteur&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1983&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-bastien-et-alii-dir-la-passion-du-theatre-camus-a-la-scene_48738.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S. Bastien &lt;em&gt;et alii&lt;/em&gt; (dir.), &lt;em&gt;La Passion du théâtre. Camus à la scène&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15389&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/d-lejeune-the-radical-use-of-chance-in-20th-century-art_48737.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;D. Lejeune, &lt;em&gt;The Radical Use of Chance in 20th Century Art&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs16567&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/viviane-alary-et-nelly-chabrol-gagne-dirl-album-le-parti-pris-des-images_48736.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;V. Alary &amp;amp; N. Chabrol-Gagne (dir.), &lt;em&gt;L'Album : le parti pris des images&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5522&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-colliot-thelene-la-democratie-sans-demos_48734.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Colliot-Thélène, &lt;em&gt;La démocratie sans &quot;démos&quot;&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22532&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/v-nurock-sommes-nous-naturellement-moraux_48733.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;V. Nurock, &lt;em&gt;Sommes-nous naturellement moraux?&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs21220&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/m-nussbaum-les-emotions-democratiques_48732.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Nussbaum, &lt;em&gt;Les émotions démocratiques&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19492&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-chavel-se-mettre-a-la-place-d-autrui-l-imagination-morale_48731.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S. Chavel, &lt;em&gt;Se mettre à la place d'autrui. L'imagination morale&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20869&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-nietzsche-epigrammes_48729.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;F. Nietzsche, &lt;em&gt;Épigrammes&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs8705&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-espace-du-sud-au-feminin-dirs-gerald-preher-et-brigitte-zaugg-metz-centre-ecritures-universite-_48724.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;G. Préher &amp;amp; Br. Zaugg (dir.), &lt;em&gt;L’espace du Sud au féminin&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs13038&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/span-stylefont-size-120pt-font-family-times-new-roman-frederic-duval-ed-i-la-logique-du-sens-autour-_48723.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Frédéric Duval (éd.), &lt;em&gt;La logique du sens : autour des propositions de Robert Martin&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19585&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/humoresquesrevue-semestrielle-de-recherches-sur-l-humour_48718.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Humoresques&lt;/em&gt;, no 33, Printemps 2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24699&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/y-bonnefoy-sous-le-signe-de-baudelaire_48708.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Y. Bonnefoy, &lt;em&gt;Sous le signe de Baudelaire&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29044&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-heber-suffrin-lecture-d-ainsi-parlait-zarathoustra-tome-1-de-la-vertu-sommeil-a-la-vertu-eveil_48703.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Héber-Suffrin, &lt;em&gt;Lecture d'&lt;/em&gt;Ainsi parlait Zarathoustra &lt;em&gt;- Tome 1 : De la vertu sommeil à la vertu éveil&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19219&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/epistemocritique_48702.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Epistémocritique&amp;nbsp; &lt;/em&gt;9 – 2011 ; spécial &lt;em&gt;Géocritique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32534&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-diop-oralite-africaine-entre-esthetique-et-poetique_48701.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S. Diop, &lt;em&gt;Oralité africaine - entre esthétique et poétique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs11567&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/cahiers-de-lexicologie_48699.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Cahiers de lexicologie, 99 (2011 - 2) : Lexique et philosophie&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24192&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/scritture-migranti-rivista-di-scambi-interculturali_48695.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Scritture migranti: rivista di scambi interculturali&lt;/em&gt;,&amp;nbsp;4/2010&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2556&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/special-herve-guibert-la-revue-litteraire-n-51-decembre-2011-dirige-par-arnaud-genon_48694.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;La Revue Littéraire&lt;/em&gt;, n° 51, décembre 2011 : &quot;Hervé Guibert&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs12986&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/aurelie-martinez-images-du-corps-monstrueux_48691.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Martinez, &lt;em&gt;Images du corps monstrueux&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15020&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/maurice-sceve-delie-objet-de-plus-haute-vertu_48686.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Maurice Scève, &lt;em&gt;Délie. Objet de plus haute vertu&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20816&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/voltaire-questions-sur-l-encyclopedie-par-des-amateurs-vi-gargantua-justice_48684.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&amp;nbsp;Voltaire,&amp;nbsp;&lt;em&gt;Oeuvres complètes,&amp;nbsp;&lt;/em&gt;vol. 42A :&amp;nbsp;&lt;em&gt;Question sur l'Encyclopédie, par des amateurs (VI)&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9012&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/synergies-canada_48683.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Synergies Canada&lt;/em&gt;, 2012&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18582&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/v-chklovski-ecrits-sur-le-cinema_48676.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;V. Chklovski, &lt;em&gt;Textes sur le cinéma&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs12805&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-roth-job-roman-d-un-homme-simple_48675.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Roth, &lt;em&gt;Job&lt;/em&gt; &lt;em&gt;- Roman d'un homme simple&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs10493&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/h-tillinac-quand-la-politique-se-mele-de-cinema_48674.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;H. Tillinac, &lt;em&gt;Quand la politique se mêle de cinéma&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs10882&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/d-kalifa-ph-regnier-m-e-therenty-a-vaillant-dir-la-civilisation-du-journal_48672.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&amp;nbsp; D. Kalifa, Ph. Régnier, M.-È. Thérenty, A. Vaillant (dir.),&amp;nbsp;&lt;em&gt;La Civilisation du journal&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs12843&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/bernard-guelton-dir-fictions-medias-intermedialites-dans-les-fictions-artistiques_48670.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bernard GUELTON (Dir.), &lt;em&gt;Fictions &amp;amp; médias, intermédialités dans les fictions artistiques&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs30791&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/neuroscience-de-l-etre-humain-de-la-structure-a-l-existence-jean-marie-delassus_48669.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Neuroscience de l'être humain, de la structure à l'existence&lt;/em&gt;, Jean-Marie Delassus&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18866&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-roi-fontaine-de-justice-pouvoir-justicier-et-pouvoir-royal-au-moyen-age-et-a-la-renaissance_48668.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Le Roi fontaine de justice. Pouvoir justicier et pouvoir royal au Moyen Âge et à la Renaissance&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs31095&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/discours-des-maladies-melancoliques-1594-andre-du-laurens_48667.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Discours des maladies mélancoliques&lt;/em&gt; (1594), André du Laurens&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4247&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-art-du-scenario_48666.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;L'art du scénario&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24748&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-sujet-son-symptome-son-histoire-etudes-du-symptome-somatomorphe-frederic-dubas-catherine-thomas-_48664.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Le sujet, son symptôme, son histoire. Etudes du symptôme somatomorphe&lt;/em&gt;, Frédéric Dubas &amp;amp; Catherine Thomas-Antérion&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22030&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/questions-disputees-introduction-generale-tome-i-questions-1-8-le-premier-principe-l-individuation-_48663.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Questions disputées. Introduction générale Tome I, Questions 1-8, Le Premier Principe, l'individuation,&amp;nbsp;&lt;/em&gt;Richard de Mediavilla&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4931&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/polemiques-entre-paiens-et-chretiens-dans-l-antiquite-tardive-stephane-ratti_48661.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P&lt;em&gt;olémiques entre païens et chrétiens dans l'Antiquité tardive&lt;/em&gt;, Stéphane Ratti&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22803&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/lettre-a-mon-frere-pour-reussir-en-politique-quintus-ciceron_48660.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Lettre à mon frère pour réussir en politique&lt;/em&gt;, Quintus Ciceron&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20241&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/ilion-n-a-pas-ete-prise-dion-de-pruse_48659.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Ilion n'a pas été prise&lt;/em&gt;, Dion de Pruse&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6089&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/enfants-du-ghetto-etude-d-un-peuple-singulier-israel-zangwill_48658.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Enfants du ghetto, Étude d'un peuple singulier&lt;/em&gt;, Israel Zangwill&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs31437&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-m-coetzee-de-la-lecture-a-l-ecriture-chroniques-litteraires-2000-2005_48657.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. M. Coetzee, &lt;em&gt;De la lecture à l'écriture - Chroniques littéraires (2000-2005)&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8897&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-divan-d-orient-et-d-occident-west-ostlicher-divan-johann-wolfgang-goethe_48656.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Le Divan d'Orient et d'Occident (West-Östlicher Divan),&amp;nbsp;&lt;/em&gt;Johann Wolfgang Goethe&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24234&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-bestiaire-d-aristophane-cecile-corbel-morana_48654.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Le Bestiaire d'Aristophan&lt;/em&gt;e, Cécile Corbel-Morana&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs23451&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bourdieu-sur-l-etat-cours-au-college-de-france-1989-1992-inedit_48652.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Bourdieu, &lt;em&gt;Sur l'État. Cours au Collège de France 1989-1992&lt;/em&gt; (inédit)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs12034&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/stephanie-michineau-colette-par-dela-le-bien-et-le-mal_48650.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;St. Michineau, &lt;em&gt;Colette, par-delà le bien et le mal ?&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs421&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/r-demoris-f-ferran-c-lucas-fiorato-art-et-violence_48645.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;R. Démoris,&amp;nbsp; F. Ferran, C. Lucas Fiorato,&amp;nbsp; &lt;em&gt;Art et violence. Vies d'artistes en Europe à l'époque moderne&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24821&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bergounioux-carnet-de-notes-2001-2010_48644.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Bergounioux,&lt;em&gt; Carnet de notes&lt;/em&gt; &lt;em&gt;(2001-2010)&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs17497&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/r-barthes-journal-de-deuil-reed-poche_48643.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;R. Barthes, &lt;em&gt;Journal de deuil&lt;/em&gt; (rééd. poche)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs16748&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/adrien-le-bihan-james-joyce-travesti-par-trois-clercs-parisiens-essai_48640.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Adrien Le Bihan, &lt;em&gt;James Joyce travesti par trois clercs parisiens&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4848&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/eric-bonnargent-atopia-petit-observatoire-de-litterature-decalee_48636.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;É. Bonnargent, &lt;em&gt;Atopia,&lt;/em&gt;&lt;em&gt; petit observatoire de littérature décalée&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18668&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/christopher-hamell-esprit-republicain-droits-naturels-et-vertu-civique-chez-algernon-sidney_48634.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Chr. Hamel, &lt;em&gt;L’Esprit républicain. Droits naturels et vertu civique chez Algernon Sidney&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs22882&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/jean-michel-bueesavoir-immediat-et-savoir-absolu-la-lecture-de-jacobi-par-hegel_48633.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-M. Buée, &lt;em&gt;Savoir immédiat et savoir absolu,La lecture de Jacobi par Hegel&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs15111&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/christof-schochla-description-double-dans-le-roman-francais-des-lumieres-1760-1800_48632.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Chr. Schöch, La&lt;em&gt; Description double dans le roman français des Lumières (1760-1800)&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs7813&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/analele-universitatii-dunarea-de-jos-din-galati-lexic-comun-lexic-specializat-_48626.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Analele Universitatii &quot;Dunarea de Jos&quot; din Galati (XXIV),&amp;nbsp;&lt;em&gt;Lexique commun / Lexique spécialisé&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22143&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/claude-simon-quatre-conferences_48624.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Claude Simon&amp;nbsp;&lt;em&gt;Quatre conférences&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs21561&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-frioux-le-chantier-russe-litterature-societe-et-politique-tome-iii-ecrits-1980-1992_48622.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Frioux, &lt;em&gt;Le Chantier russe : Littérature, société et politique - Tome III : Ecrits 1980-1992&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs17233&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-d-almeida-la-fable-de-l-ineffable-tombeau-de-gaston-miron-1928-1996_48621.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;F. D'Almeida, &lt;em&gt;La Fable de l'ineffable - Tombeau de Gaston Miron (1928-1996)&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29110&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/g-schehade-anthologie-du-vers-unique-reed_48620.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;G. Schéhadé, &lt;em&gt;Anthologie du vers unique&lt;/em&gt; (rééd.)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5697&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-pelage-diamela-eltit-les-deplacements-du-feminin-ou-la-poetique-en-mouvement-au-chili_48619.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Pélage, &lt;em&gt;Diamela Eltit - Les Déplacements du féminin ou la poétique en mouvement au Chili&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29043&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/marcel-pagnol-de-l-academie-francaise-l-album-d-une-vie_48618.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Marcel Pagnol de l'Académie française. L'album d'une vie&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15777&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-nation-nommee-roman-face-aux-histoires-nationales_48617.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Danielle Perrot-Corpet, Lise Gauvin (dir.) &lt;em&gt;La Nation nommée Roman face aux histoires nationales&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs22350&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/jean-paul-bonami-memoire-du-theatre-de-cherbourgombres-er-lumieres_48613.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Jean-Paul&amp;nbsp; Bonami,&amp;nbsp;&lt;em&gt;Mémoire du théâtre de Cherbourg&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2402&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/jean-paul-jouary-ferran-adria-l-art-des-mets-un-philosophe-chez-elbulli_48612.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Jean-Paul JOUARY,&amp;nbsp;&lt;em&gt;Ferran Adrià, L'art des mets. Un philosophe chez ElBulli&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18644&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/kovacshasy-cecile-solte-gresser-christiane-dirrelire-madeleine-bourdouxheregards-croises-sur-son-_48599.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Kovacshazy, C. Solte-Gresser (dir.), &lt;em&gt;Relire Madeleine Bourdouxhe. Regards croisés sur son oeuvre littéraire&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs20665&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/plastir-revue-transdisciplinaire-de-plasticite-humaine_48597.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;PLASTIR : &lt;/em&gt;Revue Transdisciplinaire de Plasticité Humaine, numéro 25 (12/2011)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20693&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/bernard-marcotte-theatre_48596.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bernard Marcotte, &lt;em&gt;Théâtre&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2525&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/karin-becker-dir-la-pluie-et-le-beau-temps-dans-la-litterature-francaise-discours-scientifiques-et-_48595.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;K. Becker (dir.),&amp;nbsp;&lt;em&gt;La pluie et le beau temps dans la littérature française&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28853&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/fabrice-flahutez-le-lettrisme-historique-etait-une-avant-garde-dijon-les-presses-du-reel-2011_48594.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Fabrice Flahutez, &lt;em&gt;Le lettrisme historique était une avant-garde&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3230&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/madeleine-tyssens-la-tierce-geste-qui-molt-fist-a-prisier_48592.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Madeleine Tyssens,&lt;em&gt;&amp;nbsp;La Tierce Geste qui molt fist a prisier&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29967&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/tanpinar-ahmet-hamdi-histoire-de-la-litterature-turque-du-xixe-siecle_48588.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Tanpinar, Ahmet Hamdi, &lt;em&gt;Histoire de la Littérature turque du XIXe siècle&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs16114&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-d-lyons-the-phantom-of-chance-form-fortune-to-randomness-in-seventeenth-century-french-literature_48585.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. D. Lyons, &lt;em&gt;The Phantom of Chance. Form Fortune to Randomness in Seventeenth-Century French Literature&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28840&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revue-d-histoire-du-cinema-n-64_48584.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Revue d'histoire du cinéma &lt;/em&gt;n°64&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8872&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/n-heinich-sortir-des-camps-sortir-du-silence-de-l-indicible-a-l-imprescriptible_48583.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;N. Heinich, &lt;em&gt;Sortir des camps. Sortir du silence. &lt;/em&gt;&lt;em&gt;De l’indicible à l’imprescriptible&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6086&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/litterature-n-164_48582.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Littérature &lt;/em&gt;n°164: &lt;em&gt;Jean-Pierre Richard&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs13783&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/ph-chardin-musil-et-la-litterature-amours-lointaines-et-fureurs-intempestives_48573.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Ph. Chardin, &lt;em&gt;Musil et la littérature - Amours lointaines et fureurs intempestives&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18271&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-p-simeon-ce-que-signifiait-l-terzieff_48572.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-P. Siméon, &lt;em&gt;Ce que signifiait L. Terzieff&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs25557&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/n-bachleitner-t-smolej-et-k-zieger-dir-zola-en-europe-centrale_48570.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;N. Bachleitner, T. Smolej et K. Zieger (dir.), &lt;em&gt;Zola en Europe centrale&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs7881&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/spicilege-cahiers-marcel-schwob-n-4_48567.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Spicilège. Cahiers Marcel Schwob&lt;/em&gt; n°4 : &quot;Gabriel Pierné / autour de &lt;em&gt;La Croisade des enfants&quot;&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29355&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/studii-si-cercetari-filologice-seria-limbi-straine-aplicate-no-10-2011_48566.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Studii si Cercetari Filologice – Seria Limbi Straine Aplicate&lt;/em&gt;, 10/2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1994&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/lalies-n-31-les-filles-de-melpomene_48565.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Lalies&lt;/em&gt; n° 31: &lt;em&gt;Les filles de Melpomène&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs31074&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/language-and-literature-european-landmarks-of-identity-limba-si-literatura-repere-identitare-in-_48563.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Language and Literature. European Landmarks of identity / Langue et littérature. Repère identitaire en contexte européen&lt;/em&gt;, 9/2011 &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs10293&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/language-and-literature-european-landmarks-of-identity-limba-si-literatura-repere-identitare-in-_48562.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Language and Literature. European Landmarks of identity / Langue et littérature. Repère identitaire en contexte européen&lt;/em&gt;, 8/2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3499&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/studii-de-gramatica-contrastiva-no-16-2011_48560.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Studii de gramatica contrastiva&lt;/em&gt;, 16/2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20864&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/studii-de-gramatica-contrastiva-no-15-2011_48558.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Studii de gramatica contrastiva&lt;/em&gt;&lt;em&gt;,&lt;/em&gt; 15/2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2973&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/ph-lacoue-labarthe-agonie-terminee-agonie-interminable-sur-maurice-blanchot-suivi-de-l-emoi_48553.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Ph. Lacoue-Labarthe, &lt;em&gt;Agonie terminée, agonie interminable - Sur Maurice Blanchot &lt;/em&gt;; suivi de&amp;nbsp; : &lt;em&gt;L'Emoi&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs26099&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-bota-j-p-bronckart-bakhtine-demasque_48552.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Bota &amp;amp; J.-P. Bronckart,&amp;nbsp;&lt;em&gt;Bakhtine démasqué&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs12456&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-baudou-l-encyclopedie-du-fantastique_48551.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Baudou, &lt;em&gt;L'Encyclopédie du fantastique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs10336&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/caietele-echinox-21-11-fantomes-revenants-poltergeists-manes_48550.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Caietele Echinox, 21-11: &quot;Fantômes, Revenants, Poltergeists, Mânes&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19189&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revista-sala-preta_48548.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Revista Sala Preta&lt;/em&gt;, n°11, 2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21122&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/1511-2011-philippe-de-commynes-droit-ecriture-deux-piliers-de-la-souverainete_48546.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;1511-2011, Philippe de Commynes : droit, écriture, deux piliers de la souveraineté&amp;nbsp;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2233&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/marie-j-a-colombet-le-symbolisme-le-reve-la-femme-dans-l-art-a-la-fin-du-xixe-et-au-debut-du-xxe-_48543.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Marie J. A. Colombet, &lt;em&gt;Le Symbolisme, le rêve… la femme dans l'art à la fin du XIXe et au début du XXe siècle&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28536&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/1995626112.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/a-prouteau-et-a-spiques-lire-les-carnets-d-albert-camus_48542.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Prouteau &amp;amp; A. Spiquès, &lt;em&gt;Lire les &lt;/em&gt;Carnets &lt;em&gt;d'Albert Camus&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3923&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/cahiers-de-narratologie_48537.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Cahiers de Narratologie&lt;/em&gt;, 21: &lt;em&gt;Perspectives sur l’intrigue musicale&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8951&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/verne-decouverte-de-la-terre-histoire-generale-des-grands-voyages-et-des-grands-voyageurs_48536.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Verne, &lt;em&gt;Découverte de la Terre - Histoire générale des grands voyages et des grands voyageurs&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32813&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/m-foglia-montaigne-de-l-interpretation_48531.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Foglia, &lt;em&gt;Montaigne. De l'interprétation&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2854&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/emanuele-de-luca-le-repertoire-de-la-comedie-italienne-1716-1762-paris-irpmf-2011_48530.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;E. De Luca, &lt;em&gt;Le Répertoire de la Comédie-Italienne (1716-1762)&lt;/em&gt;, Paris, IRPMF, 2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs429&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-thelot-l-verdier-le-haiku-en-france-poesie-et-musique_48524.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Thélot et L. Verdier (dir.),&lt;em&gt; Le Haïku en France. Poésie et musique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6722&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-zourabichvili-la-litteralite-et-autres-essais-sur-l-art_48523.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;F. Zourabichvili, &lt;em&gt;La littéralité et autres essais sur l'art&lt;/em&gt; &amp;nbsp;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21699&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/zweig-legende-d-une-vie_48521.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S. Zweig, &lt;em&gt;Légende d'une vie&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28284&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/gide-quelques-reflexions-sur-l-art_48520.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Gide, &lt;em&gt;Quelques réflexions sur l'art&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs984&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-barrio-le-personnage-de-khlestakov-dans-le-revizor-de-gogol_48518.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Barrio, &lt;em&gt;Le Personnage de Khlestakov dans&lt;/em&gt; Le Révizor &lt;em&gt;de Gogol&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8626&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-becdelievre-au-creux-des-heures-de-mrs-dalloway-a-the-hours_48517.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L. Becdelièvre, &lt;em&gt;Au creux des heures - De &lt;/em&gt;Mrs Dalloway &lt;em&gt;à &lt;/em&gt;The Hours&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24094&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-fasquel-quevedo-et-la-poetique-du-burlesque-au-xviie-siecle_48516.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S. Fasquel, &lt;em&gt;Quevedo et la poétique du burlesque au XVII&lt;sup&gt;e&lt;/sup&gt; siècle&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6121&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/anthologie-du-melodrame-classique_48510.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Brooks et M. Faten Sfar (dir.), &lt;em&gt;Anthologie du mélodrame classique&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs19101&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/translation-studies-retrospective-and-prospective-views-issue-11-2011_48509.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Translation Studies : Retrospective and Prospective Views&lt;/em&gt;, 11, 2011 : &quot;Language and cultural studies&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19132&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-cousinie-esthetique-des-fluides-sang-sperme-merde-dans-la-peinture-francaise-du-xviie-s_48508.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;F. Cousinié, &lt;em&gt;Esthétique des fluides. Sang, Sperme, Merde dans la peinture française du XVIIe s.&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6259&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/translation-studies-retrospective-and-prospective-views-issue-10-2011_48507.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Translation Studies : Retrospective and Prospective Views&lt;/em&gt;, 10, 2011 : &quot;Literature and cultural studies&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs16662&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-mihailovic-memoires-d-un-janissaire_48504.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Mihailovic, &lt;em&gt;Mémoires d’un janissaire&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24080&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bayle-et-la-liberte-de-conscience_48503.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;P. Bayle et la liberté de conscience&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs7672&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/christine-richier-le-temps-des-flammes_48497.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Chr. Richier,&lt;em&gt; Le Temps des Flammes&lt;/em&gt;. &lt;em&gt;Une histoire de l'éclairage scénique avant la lampe à incandescence&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18309&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/translation-studies-retrospective-and-prospective-views-issue-12-2011_48496.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Translation Studies &lt;/em&gt;(2011, IV, 12) : &quot;Retrospective and Prospective Views&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs17935&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revue-critique-de-fixxion-francaise-contemporaine-n-3-l-ecrivain-devant-les-langues_48492.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Revue critique de&amp;nbsp;fixxion française contemporaine&lt;/em&gt;, n°3&amp;nbsp;:&amp;nbsp;&lt;em&gt;L’écrivain devant les langues&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29725&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/methode-19jean-genet-lectures-en-heritage_48490.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Méthode !&lt;/em&gt;, n°19 : &quot;Jean Genet, lectures en héritage&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs23404&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/imprimes-anonymes-en-langues-africaines-1830-1960_48489.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Ngalasso-Mwatha (éd.), &lt;em&gt;Imprimés anonymes en langues africaines : 1830-1960&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs17875&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/presence-francophone-revue-internationale-de-langue-et-de-litterature_48488.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Présence francophone&lt;/em&gt;, n°76, 2011 : &quot;Des normes endogènes légitimées par la pratique littéraire&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1955&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/jean-luc-rigaudpathe-marconi-a-chatou-de-la-musique-a-l-effacement-des-traces_48487.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-L. Rigaud, &lt;em&gt;Pathé Marconi à Chatou. De la musique à l’effacement des traces&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22884&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/wendy-ayres-bennett-et-magali-seijidoremarques-et-observations-sur-la-langue-francaise-histoire-et-_48486.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;W. Ayres-Bennett &amp;amp; M. Seijido, &lt;em&gt;Remarques et observations sur la langue française. Histoire et évolution d’un genre&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4109&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/litteratures-classiques-n-76-2011-echos-du-grand-siecle-1638-2011_48485.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Littératures classiques&lt;/em&gt;, n° 76, 2011 : &quot;Échos du Grand Siècle (1638-2011)&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21519&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/musanji-ngalasso-mwatha-et-tunda-kitenge-ngoy-dirle-sentiment-de-la-langue-evasion-exotisme-et-_48483.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Ngalasso-Mwatha &amp;amp; T.&amp;nbsp;Kitenge-Ngoy (dir.), &lt;em&gt;Le sentiment de la langue : Evasion, exotisme et engagement&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19725&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/michel-crouzetstendhal-et-le-desenchantement-du-mondestendhal-et-l-amerique-ii_48482.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Crouzet, &lt;em&gt;Stendhal et le désenchantement du monde. Stendhal et l'Amérique II&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs23623&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/g-agamben-opus-dei-archeologie-de-l-office-homo-sacer-ii-5_48480.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;G. Agamben, &lt;em&gt;Opus dei&lt;/em&gt;. &lt;em&gt;Archéologie de l'Office (Homo Sacer&lt;/em&gt;, II, 5)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9347&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-flem-casanova-l-homme-qui-aimait-vraiment-les-femmes_48479.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L. Flem, &lt;em&gt;Casanova, l'homme qui aimait vraiment les femmes&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs31955&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/etudes-theatrales_48473.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Études théâtrales&lt;/em&gt;, 51-52, 2011 : &lt;em&gt;Le Geste de témoigner. Un dispositif pour le théâtr&lt;/em&gt;e&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs26836&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/nicolas-le-cadet-olivier-halevyrabelais-quart-livre_48471.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;N. Le Cadet, O. Halévy, &lt;em&gt;Rabelais. Quart Livre&lt;/em&gt; (Atlande) &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs28224&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/marco-polo-la-description-du-monde_48468.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Polo, &lt;em&gt;La Description du monde&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18733&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-nation-nommee-roman-face-aux-histoires-nationales_48466.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;La Nation nommée Roman face aux histoires nationales&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs24720&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-syndrome-de-venise-la-biennalisation-de-l-art-contemporain_48465.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Figures de l'Art &lt;/em&gt;n° 20 : &lt;em&gt;Le Syndrome de Venise.&amp;nbsp;La biennalisation de l'art contemporain&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9455&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/philosophie-112-philosophie-animale-francaise_48462.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Philosophie&lt;/em&gt;, 112: &lt;em&gt;Philosophie animale française&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28536&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/1995626112.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/peut-etrerevue-poetique-et-philosophique-association-des-amis-de-l-oeuvre-de-claude-vigee_48455.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Peut-être, &lt;/em&gt;n° 3,&lt;em&gt;&amp;nbsp;&lt;/em&gt; Revue poétique et philosophique,&amp;nbsp;Association des Amis de l'Oeuvre de Claude Vigée &amp;nbsp;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs25445&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/a-wald-lasowski-philippe-sollers-l-art-du-sublime_48453.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Wald Lasowski,&amp;nbsp;&lt;em&gt;Philippe Sollers. L'art du sublime&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32199&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/u-eco-de-l-arbre-au-labyrinthe-2de-ed_48452.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;U. Eco, &lt;em&gt;De l'arbre au labyrinthe&lt;/em&gt; (2de éd.)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs14893&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/lope-de-vega-le-chien-du-jardinier_48451.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Lope de Vega, &lt;em&gt;Le Chien du jardinier&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22678&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/k-moczarski-entretiens-avec-le-bourreau_48450.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;K. Moczarski, &lt;em&gt;Entretiens avec le bourreau&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24581&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/pourquoi-rire_48449.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Pourquoi rire?&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18811&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/e-bimbenet-l-animal-que-je-ne-suis-plus_48447.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;É. Bimbenet, &lt;em&gt;L'animal que je ne suis plus&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22228&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/a-ernaux-l-ecriture-comme-un-couteau_48446.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Ernaux, &lt;em&gt;L'écriture comme un couteau&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs14037&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/montesquieu-histoire-veritable-et-autres-fictions_48444.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Montesquieu, &lt;em&gt;Histoire véritable et autres fictions&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3881&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/w-jensen-l-ombrelle-rouge-suivi-de-essai-de-lecture-freudienne-par-j-bellemin-noel_48437.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;W. Jensen, &lt;em&gt;L'Ombrelle rouge&lt;/em&gt;. Suivi de &lt;em&gt;Essai de lecture freudienne&lt;/em&gt; (J. Bellemin-Noël, éd.)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs11238&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/jarry-en-ymages_48432.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Jarry en ymages&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30856&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-m-filaire-m-yourcenar-ou-la-culture-du-masculin_48431.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-M. Filaire, &lt;em&gt;M. Yourcenar ou la culture du masculin&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs11866&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-margantin-novalis_48420.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L. Margantin, &lt;em&gt;Novalis&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs27959&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/r-dutli-mandelstam-mon-temps-mon-fauve-une-biographie_48419.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;R. Dutli, &lt;em&gt;Mandelstam, mon temps, mon fauve&amp;nbsp;: une biographie&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs13675&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revue-europe-n-991-992-novembre-decembre-2011-emmanuel-levinas_48418.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Revue &lt;em&gt;Europe&lt;/em&gt;, n° 991-992, novembre-décembre 2011 : Emmanuel Levinas&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs7535&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/perec-le-condottiere_48417.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Perec, &lt;em&gt;Le Condottiere&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30404&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/eugesta_48416.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Eugesta. Revue sur le genre dans l'Antiquité&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32029&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/m-cerisuelo-fondus-enchaines-essais-de-poetique-du-cinema_48415.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Cerisuelo, &lt;em&gt;Fondus enchainés - Essais de poétique du cinéma &lt;/em&gt;&lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs8140&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/a-poulain-passions-du-corps-dans-les-dramaturgies-contemporaines_48414.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Poulain, &lt;em&gt;Passions du corps dans les dramaturgies contemporaines&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4243&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/m-ramond-quant-au-feminin-le-feminin-comme-machine-a-penser_48412.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Ramond, &lt;em&gt;Quant au féminin &lt;/em&gt;&lt;em&gt;- Le Féminin comme machine à penser&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1540&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-ayral-la-fabrique-des-garcons-sanctions-et-genre-au-college_48401.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S. Ayral, &lt;em&gt;La Fabrique des garçons. Sanctions et genre au collège&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6106&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/d-budor-m-p-de-paulis-dalembert-dir-siciles-aujourd-hui_48398.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;D. Budor&amp;nbsp;&amp;amp; M. P. de Paulis-Dalembert (dir.), &lt;em&gt;Sicile(s) aujourd'hui&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28573&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/fr-palleau-papin-dir-william-t-vollman-le-roman-historique-en-question-une-etude-de-the-rifles_48397.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Fr. Palleau-Papin (dir.), &lt;em&gt;William T. Vollmann. Le roman historique en question. Une étude de &lt;/em&gt;The Rifles&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21896&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-farges-et-alii-dir-le-lieu-du-genre-la-narration-comme-espace-performatif-du-genre_48396.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Farges &lt;em&gt;et alii&lt;/em&gt; (dir.), &lt;em&gt;Le Lieu du genre. La narration comme espace performatif du genre&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs23919&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/medievales-61-2011-la-chair-des-emotions_48395.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Médiévales&lt;/em&gt; (61/2011) : &quot;La chair des émotions&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21824&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-feral-theorie-et-pratique-du-theatre_48394.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Féral, &lt;em&gt;Théorie et pratique du théâtre&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs18936&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/s-heywood-catholicism-and-children-s-literature-in-france-the-comtesse-de-segur-1799-1874_48393.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;S. Heywood, &lt;em&gt;Catholicism and children's literature in France. The comtesse de Ségur (1799-1874)&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs30542&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/annals-of-dunarea-de-jos-university-of-galati-fascicle-xiii-language-and-literature-issue-30-xviii-_48390.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Annals of &quot;Dunarea de Jos&quot; University of Galati. Fascicle XIII. Language and literature&lt;/em&gt;. Issue 30, XVIII (XXIX)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs11537&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/o-deshayes-d-eros-a-agape-ou-la-correspondance-de-mme-deffand-avec-horace-walpole_48387.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;O. Deshayes, &lt;em&gt;D'Eros à Agapè ou la correspondance de Mme Deffand avec Horace Walpole&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29176&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-teinturier-dir-berlin-alexanderplatz-d-alfred-doblin-un-roman-dans-une-oeuvre-une-oeuvre-dans-son-_48386.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;F. Teinturier (dir.), Berlin Alexanderplatz &lt;em&gt;d'Alfred Döblin - Un roman dans une oeuvre, une oeuvre dans son temps&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21107&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/nathalie-mauriac-kazuyoshi-yoshikawa-proust-aux-brouillons_48383.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;N. Mauriac &amp;amp; K. Yoshikawa (dir.), &lt;em&gt;Proust aux brouillons&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15992&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/francoise-lavocat-dir-pestes-incendies-naufrages-ecritures-du-desastre-au-dix-septieme-siecle_48382.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Fr. Lavocat (dir.), &lt;em&gt;Pestes, incendies, naufrages. Ecritures du désastre au dix-septième siècle &lt;/em&gt;&lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs16709&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revue-italienne-d-etudes-francaises_48381.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Revue italienne d'études françaises&lt;/em&gt;, n°1, 2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22214&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/ngugi-wa-thiong-o-decoloniser-l-esprit_48378.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Ngugi wa Thiong'o, &lt;em&gt;Décoloniser l'esprit&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9551&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/g-haddad-lumiere-des-astres-eteints-la-psychanalyse-face-aux-camps_48377.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;G. Haddad, &lt;em&gt;Lumière des astres éteints. La psychanalyse face aux camps&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4750&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-guyotat-lecons-sur-la-langue-francaise_48370.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;P. Guyotat, &lt;em&gt;Leçons sur la langue française&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28291&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/francoise-giraudet-colette-envois-et-dedicaces_48359.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;F. Giraudet, &lt;em&gt;Colette, Envois et Dédicaces&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9486&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/m-c-pirvu-le-retour-en-avant-michel-butor-et-le-probleme-poietique-de-la-repetition_48358.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. C. Pirvu, &lt;em&gt;Le Retour en avant - Michel Butor et le problème poïétique de la répétition&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs16882&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/ph-forest-beaucoup-de-jours-d-apres-ulysse-de-james-joyce_48355.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Ph. Forest,&amp;nbsp;&lt;em&gt;Beaucoup de jours. D’après&amp;nbsp;&lt;/em&gt;Ulysse&lt;em&gt;&amp;nbsp;de James Joyce&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2737&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-travail-sans-fin-discours-et-representations-a-l-oeuvre_48352.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Raison publique&lt;/em&gt; : &quot;Le travail sans fin. Discours et représentations à l'oeuvre&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28536&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/1995626112.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/jean-jacques-rousseaules-confessions_48350.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Jean-Jacques Rousseau, &lt;em&gt;Les Confessions&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs27800&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/amnesies-francaises-a-l-epoque-gaullienne-1958-1981litterature-cinema-presse-politique_48348.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;N. Wolf (dir.), &lt;em&gt;Amnésies françaises à l'époque gaullienne (1958-1981). Littérature, cinéma, presse, politique&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs31127&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/garci-rodriguez-de-montalvole-livre-iii-d-amadis-de-gauletraduit-par-nicolas-herberay-des-essarts_48347.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Garci Rodríguez de Montalvo, &lt;em&gt;Le Livre III d’Amadis de Gaule&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29053&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/arnaud-milaneseprincipe-de-la-philosophie-chez-hobbesl-experience-de-soi-et-du-monde_48346.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Milanese, &lt;em&gt;Principe de la philosophie chez Hobbes. L’expérience de soi et du monde &lt;/em&gt;&lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs26972&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/gerard-de-nervaloeuvres-completes-tome-ichoix-des-poesies-de-ronsard-du-bellay-baif-belleau-du-_48345.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Gérard de Nerval, &lt;em&gt;Oeuvres complètes&lt;/em&gt;. Tome I : &lt;em&gt;Choix des poésies de Ronsard, Du Bellay, Baïf, Belleau, Du Bartas, Chassignet, Desportes, Régnier&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs28304&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/cahiers-de-lexicologie-2011-2-n-99lexique-et-philosophie_48344.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Cahiers de lexicologie&lt;/em&gt;, 2, n° 99 (2011) : &quot;Lexique et philosophie&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs13893&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-litterature-francaise-du-xxeme-siecle-lue-de-l-etranger_48341.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;D. Viart (dir.),&lt;em&gt; La littérature française du XXème siècle lue de l'étranger&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs16436&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-bertoneche-john-keats-le-poete-et-le-mythe_48338.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;C. Bertonèche, &lt;em&gt;John Keats - Le Poète et le mythe&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2688&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-documentation-photographique-n-8077-sept-2011-histoire-culturelle-de-la-france-au-xxe-s_48323.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;La Documentation photographique &lt;/em&gt;N° 8077, Sept. 2011:&lt;em&gt; Histoire culturelle de la France au XXe s.&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4561&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/histoire-culturelle-de-la-france-de-la-belle-epoque-a-nos-jours-4e-ed_48322.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Histoire culturelle de la France. De la belle époque à nos jours &lt;/em&gt;(4e éd.)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs11773&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/societes-representations-n-31-avril-2011-le-spectaculaire-a-l-oeuvre_48321.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Sociétés &amp;amp; Représentations &lt;/em&gt;N° 31, Avril 2011:&lt;em&gt; Le spectaculaire à l'oeuvre&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21784&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/dix-ans-d-histoire-culturelle-etat-de-l-art_48320.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Dix ans d'histoire culturelle. État de l'art&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30502&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-cova-qu-en-pensez-vous-introduction-a-la-philosophie-experimentale_48318.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;F. Cova, &lt;em&gt;Qu'en pensez vous ? Introduction à la philosophie expérimentale&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs27747&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-larran-le-bruit-qui-vole-histoire-de-la-rumeur-et-de-la-renommee-en-grece-ancienne_48315.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;F. Larran, &lt;em&gt;Le bruit qui vole - Histoire de la rumeur et de la renommée en Grèce ancienne&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22072&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/politica-hermetica-n-25-2011_48311.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Politica Hermetica,&amp;nbsp;&lt;/em&gt;n° 25, 2011 : &quot;Esotérisme et Romantisme&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs26904&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/virgile-eneide-chant-i-par-d-buisset_48310.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Virgile, &lt;em&gt;Énéide&lt;/em&gt;, chant I, par D. Buisset&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30870&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-peletier-du-mans-oeuvres-t-i-art-poetique_48307.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J. Peletier du Mans, &lt;em&gt;Oeuvres, t. I: Art poétique…&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1601&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-c-bailly-la-veridiction-sur-philippe-lacoue-labarthe_48305.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.-C. Bailly, &lt;em&gt;La Véridiction&lt;/em&gt;. &lt;em&gt;Sur Philippe Lacoue-Labarthe&lt;/em&gt; &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Liste complète des parutions : &lt;img id=&quot;fs11153&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/parutions.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.fabula.org/parutions.php&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;&lt;p&gt;&lt;strong&gt;ACTUALITÉ DU WEB LITTÉRAIRE&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;- &lt;img id=&quot;fs2223&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/lettre-de-la-magdeleine-de-r-klapka-a-propos-de-la-collection-le-livre-la-vie_48856.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Lettre de la Magdeleine&lt;/em&gt; de R. Klapka à propos de la collection &lt;em&gt;Le livre, la vie&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8814&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/quand-bourdieu-photographiait-l-algerie-francetvfr_48840.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Quand Bourdieu photographiait l'Algérie&quot; (francetv.fr)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs14688&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/flaubert-sa-bibliotheque-numerisee_48762.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Flaubert: sa&amp;nbsp; bibliothèque numérisée&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8638&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/2012-annee-rousseau-un-dossier-d-articles-sur-le-blog-mezetulle-c-kintzler_48728.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;2012: année Rousseau. Un dossier d'articles sur le blog Mezetulle (C. Kintzler)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5130&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/joyce-woolf-bergson-dans-le-domaine-public_48601.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Joyce, Woolf, Bergson... dans le domaine public&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs25146&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revista-sala-preta_48548.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Revista Sala Preta&lt;/em&gt;, n°11, 2011&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21230&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/majorite-arithmetique-et-majorite-politique-la-decision-d-une-majorite-peut-elle-fonder-l-autorite-_48506.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Majorité arithmétique et majorité politique : &quot;la décision d'une majorité peut-elle fonder l'autorité de la loi?, par J.-M. Muglioni (Mezetulle)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20420&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/google-n-annule-pas-borges-il-l-exacerbe-entretien-avec-f-bon-letierslivrenet_48505.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Google n’annule pas Borges, il l’exacerbe&quot;. Entretien avec F. Bon (letierslivre.net)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2665&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revue-critique-de-fixxion-francaise-contemporaine-n-3-l-ecrivain-devant-les-langues_48492.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Revue critique de&amp;nbsp;fixxion française contemporaine&lt;/em&gt;, n°3&amp;nbsp;:&amp;nbsp;&lt;em&gt;L’écrivain devant les langues&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs11588&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/imprimes-anonymes-en-langues-africaines-1830-1960_48489.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Ngalasso-Mwatha (éd.), &lt;em&gt;Imprimés anonymes en langues africaines : 1830-1960&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs22999&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-mac-orlan-voyait-la-vie-en-noir-et-blanc-par-p-assouline-blog_48470.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;P. Mac Orlan voyait la vie en noir et blanc&quot;, par P. Assouline (blog)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs11371&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/cachez-ce-xxx-que-je-ne-saurais-voir-afp_48460.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Cachez ce .xxx que je ne saurais voir&quot; (AFP)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9415&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-roman-roman-est-en-coma-depasse-par-ph-forest-bibliobscom_48439.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;«Le roman-roman est en coma dépassé», par Ph. Forest (BibliObs.com)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs16558&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-autofiction-une-passions-francaise-par-p-assouline-blog_48438.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;L'autofiction, une passion française&quot;, par P. Assouline (blog)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs7822&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/eugesta_48416.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Eugesta. Revue sur le genre dans l'Antiquité&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28400&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-theatre-comme-foyer-revolutionnaire-entretien-avec-n-bouchaud-laviedesideesfr_48400.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Le théâtre comme foyer révolutionnaire&quot;. Entretien avec N. Bouchaud (laviedesidees.fr)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs957&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/exposer-la-bande-dessinee-entretien-avec-christian-rosset-realise-par-pilau-daures_48389.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Exposer la bande dessinée&quot; : entretien avec Christian Rosset, réalisé par Pilau Daures&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs10173&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-ombre-et-le-signe-barthes-et-tanizaki-par-t-garcin-nonfictionfr_48376.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;L’ombre et le signe, Barthes et Tanizaki&quot;, par T. Garcin (nonfiction.fr)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30730&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/bartleby-en-version-electronique-a-telecharger-gratuitement-remuenet_48373.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bartleby en version électronique à télécharger gratuitement (tierslivre.net)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs26619&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-cendre-des-cerisiers-par-ph-forest-remuenet_48372.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;La cendre des cerisiers&quot;, par Ph. Forest (remue.net)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs29860&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/les-bibliotheques-a-l-ere-du-numerique-nouveaux-lieux-nouveaux-usages-aar-paris-8_48369.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Les bibliothèques à l'ère du numérique : nouveaux lieux ? nouveaux usages ? (AAR &amp;amp; Paris 8)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs31864&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-organisation-des-connaissances-aar-paris-8_48368.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L'organisation des connaissances (AAR &amp;amp; Paris 8)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21007&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/agorha-bases-de-donnees-en-histoire-de-l-art-inha_48356.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Agorha: bases de données en histoire de l'art (INHA)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs26320&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-performance-litteraire_48335.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;La performance littéraire&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4602&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/site-moliere-corneille_48309.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Site Molière-Corneille&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5746&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/penser-contre-penser-avec-entretien-avec-f-dupont-vacarme-57_48295.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Penser contre, penser avec&quot;. Entretien avec F. Dupont (V&lt;em&gt;acarme&lt;/em&gt;, 57)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28846&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/de-l-homme-hyperbolique-au-texte-impossible-theatralite-theatres-ebauches-de-pieces-chez-baudelaire_48277.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;I. Pop-Curseu, &quot;De l'homme hyperbolique au texte impossible : théâtralité, théâtre(s), ébauches de pièces chez Baudelaire&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32457&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/anr-dfg-musici-programme-de-recherche-sur-la-circulation-des-musiciens-europeens-vers-et-en-italie-_48221.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Musici&lt;/em&gt;, site du&amp;nbsp; programme de recherche sur la circulation des musiciens européens vers et en Italie, 1650-1750&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs17158&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/dire-sans-dire-strategies-obliques_48198.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Dire sans dire. Stratégies obliques &lt;/em&gt;&lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs7140&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/colloque-situations-de-sartre-podcasts_48192.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Colloque &quot;Situations de Sartre&quot; (Podcasts)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3343&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/site-de-l-unite-propre-de-service-du-cnrs-republique-des-lettres-respublica-literaria-ups-3285-_48112.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Site &quot;République des Lettres - &lt;em&gt;Respublica literaria &quot;&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs16644&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-cause-litteraire_48045.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;La Cause littéraire&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24255&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/small-axe-36_47824.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Small Axe&lt;/em&gt; n°36&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs10494&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/cloisons-de-verre-sur-l-enseignement-par-f-bon-blog-letierslivrenet_47819.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Cloisons de verre (sur l'enseignement)&quot;, par F. Bon (blog letierslivre.net)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs12142&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/albertine-et-cocaine-par-e-launet-liberationfr_47770.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Albertine et cocaïne&quot;, par E. Launet (liberation.fr)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs15961&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/narrativos-e-mediacao-cadernos-do-ceil-n-deg-1_47741.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Cadernos do CEIL&lt;/em&gt;, n° 1: Narrativos e mediação&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30187&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/os-cadernos-do-ceil-revista-multidisciplinar-de-estudos-sobre-o-imaginario_47739.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Os Cadernos do CEIL, Revista Multidisciplinar de Estudos sobre o Imaginário&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs383&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/nouveau-site-du-crlc-paris-sorbonne_47704.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Nouveau site du CRLC (Paris-Sorbonne) &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs27236&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/ne-touchez-pas-a-borges-par-p-assouline-blog_47691.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Ne touchez pas à Borges!&quot;, par P. Assouline (blog)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs25999&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/b-cyrulnik-face-a-l-enigme-maurras-entretien-lefigarofr-9-11-11_47690.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;B. Cyrulnik face à l'énigme Maurras&quot; (entretien, lefigaro.fr, 9/11/11)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2180&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/comparatismes-en-sorbonne-revue-en-ligne-du-crlc_47686.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Comparatismes en Sorbonne&lt;/em&gt;, n°2-2011: &lt;em&gt;Spectacle de la violence&lt;/em&gt; (agrégation)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32900&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/modern-and-contemporary-france_47684.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Modern and Contemporary France&lt;/em&gt;, 3 numéros en ligne&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs23400&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/textes-francais-annotes-en-ligne-projet-collaboratif-en-anglais_47614.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Textes français annotés en ligne pour étudiants - projet collaboratif (en anglais) &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs4559&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/appareil-n-deg-8-2011-sous-la-dir-de-ph-roy-le-geste_47581.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Appareil&lt;/em&gt;, n° 8, 2011 (sous la dir. de Ph. Roy): &lt;em&gt;Le Geste&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs10847&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/1995626112.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revue-flaubert-n-deg-11-2011_47458.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Revue &lt;em&gt;Flaubert&lt;/em&gt;, n° 11, 2011 &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs15005&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/rien-sur-billy-par-p-assouline-larepubliquedeslivres_47345.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Rien sur Billy&quot;, par P. Assouline (larepubliquedeslivres)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5269&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/rielma-revue-internationale-d-etudes-en-langues-modernes-appliquees-international-review-of-studies-_47330.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Rielma&lt;/em&gt; n°4- Revue Internationale d'Études en Langues Modernes Appliquées &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs23896&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/argumentation-et-analyse-du-discours_47298.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Argumentation et Analyse du Discours&lt;/em&gt;, n°7&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs23312&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/revue-recto-verson-deg-7-du-descriptif_47173.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;&lt;em&gt;Recto/Verso&lt;/em&gt;&amp;nbsp;n°7:&amp;nbsp;&lt;em&gt;Du descriptif&lt;/em&gt;&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1574&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/vertiges-de-l-imposture-rencontres-de-l-aubrac-aar_47164.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Vertiges de l'imposture&quot; (Rencontres de l'Aubrac, AAR)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Liste des actualités du web : &lt;img id=&quot;fs21422&quot; src=&quot;http://www.lauravanel-coytte.com/media/00/02/1666791658.png&quot; 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                        <item>
                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2012/02/07/fabula-actualite-des-etudes-litteraires2.html</guid>
                <title>Fabula, actualité des études littéraires</title>
                <link>http://www.lauravanel-coytte.com/archive/2012/02/07/fabula-actualite-des-etudes-litteraires2.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                                <pubDate>Fri, 10 Feb 2012 00:53:00 +0100</pubDate>
                <description>
                    &lt;div id=&quot;yui_3_2_0_1_1328624659637256&quot; class=&quot;tripane message content showqr&quot;&gt;&lt;div class=&quot;y-module message-header&quot;&gt;&lt;div class=&quot;info&quot;&gt;&lt;div class=&quot;focusholder&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div id=&quot;msg_details&quot; class=&quot;info expanded &quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;h3 class=&quot;details&quot;&gt;&lt;span&gt;Fabula&lt;/span&gt;, actualité des études littéraires&lt;/h3&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id=&quot;yui_3_2_0_1_1328624659637265&quot; class=&quot;msg-body inner  undoreset&quot;&gt;&lt;div id=&quot;yiv984744316&quot;&gt;&lt;h3 id=&quot;yui_3_2_0_1_1328624659637263&quot;&gt;&lt;img id=&quot;fs16260&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a style=&quot;color: #0000cc;&quot; href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.&lt;span&gt;fabula&lt;/span&gt;.org&lt;/a&gt;&lt;/h3&gt;&lt;span id=&quot;yui_3_2_0_1_1328624659637264&quot; style=&quot;border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;&quot;&gt;&lt;span id=&quot;yui_3_2_0_1_1328624659637266&quot;&gt;&lt;strong id=&quot;yui_3_2_0_1_1328624659637267&quot;&gt;&lt;span&gt;Lettre&lt;/span&gt;&amp;nbsp;d'information&amp;nbsp;2. - Événements et appels&lt;br /&gt;&lt;/strong&gt;Édition du dimanche 5 février 2012&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span style=&quot;border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;&quot;&gt;&lt;span&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;&lt;strong&gt;ÉVÉNEMENTS PROCHAINS&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;- Mardi 7 février 2012, Ecole normale supérieure, 45 rue d'Ulm. : &lt;img id=&quot;fs32131&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/les-confessions-de-saint-augustin-et-l-oeuvre-de-dante_49248.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Les Confessions d&lt;/em&gt;e saint Augustin et l'oeuvre de Dante (séminaire)&lt;/a&gt;&lt;br /&gt;- Mardi 7 février 2012, Paris, INHA, salle Vasari : &lt;img id=&quot;fs20297&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-photographie-et-sa-culture-poses-picturales-et-fantaisies-pittoresques_49178.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;La photographie et sa culture: poses picturales et fantaisies pittoresques.&lt;/a&gt;&lt;br /&gt;- Du 7 février 2012 au 7 février 2012, Paris - Musée de la Chasse et de la Nature : &lt;img id=&quot;fs12011&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/art-oriente-objet-marion-laval-jeantet-benoit-mangin-artistes-plasticiens-que-le-cheval-vive-en-moi-_49058.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Art Orienté objet: Marion Laval-Jeantet &amp;amp; Benoît Mangin, artistes plasticiens &lt;em&gt;Que le cheval vive en moi: une expérience transpécifique&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;- Mardi 7 février 2012, Salle Lombard, 96 Boulevard Raspail, 75006 Paris : &lt;img id=&quot;fs26797&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/presentation-des-ouvrages-the-political-unconsciuous-narrative-as-a-socially-symbolic-act-et-_49044.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Présentation des ouvrages : &lt;em&gt;The Political Unconsciuous. Narrative as a socially &amp;nbsp;Symbolic Act&lt;/em&gt;&amp;nbsp;et&amp;nbsp;&lt;em&gt;Définir la fiction : du roman au jeu d’échecs&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;- Mardi 7 février 2012, Collège international de philosophie : &lt;img id=&quot;fs27443&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/seminaire-de-gisele-berkman-au-college-international-de-philosophie-ce-qui-nous-empeche-de-penser-_49028.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Séminaire de Gisèle Berkman au Collège international de philosophie: &quot;Ce qui nous empêche de penser&quot; (II) &lt;/a&gt;&lt;br /&gt;- Mardi 7 février 2012, Lieu-Dit, 6 rue Sorbier, à Paris (M° Ménilmontant) : &lt;img id=&quot;fs26429&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/autour-d-alain-badiou-seminaire-de-lecture-de-la-revue-des-livres_48993.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Autour d'Alain Badiou. Séminaire de lecture de &lt;em&gt;la Revue des Livres&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;- Du 8 février 2012 au 9 mai 2012, ENS, Paris : &lt;img id=&quot;fs28555&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/ethique-des-genres-et-pensee-morale-les-pouvoirs-de-la-fable_49261.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Ethique des genres et pensée morale : les pouvoirs de la Fable&lt;/a&gt;&lt;br /&gt;- Du 8 février 2012 au 9 mai 2012, EHESS, Paris : &lt;img id=&quot;fs3037&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-college-de-sociologie_49214.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le Collège de Sociologie&lt;/a&gt;&lt;br /&gt;- Mercredi 8 février 2012, Institut d'études européennes : &lt;img id=&quot;fs22514&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/les-arts-et-la-culture-a-l-ere-numerique-les-mutations-de-la-figure-de-l-amateur_49203.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Les arts et la culture à l’ère numérique : les mutations de la figure de l’amateur &lt;/a&gt;&lt;br /&gt;- Du 8 février 2012 au 10 février 2012, Montpellier : &lt;img id=&quot;fs3729&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-sermon-et-la-mort-discours-et-pratiques-en-france-et-en-angleterre-xvie-xviie-sieclespreaching-_49195.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le sermon et la mort. discours et pratiques en France et en Angleterre,XVIe-XVIIe&lt;/a&gt;&lt;br /&gt;- Mercredi 8 février 2012, Aix Marseille Université à Aix-en-Provence : &lt;img id=&quot;fs24660&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/passe-la-revue-e-lla-revue-electronique-et-pluridisciplinaire-des-doctorants-de-aix-marseille-_49094.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Passe !&quot;&lt;/a&gt;&lt;br /&gt;- Mercredi 8 février 2012, Paris : &lt;img id=&quot;fs30633&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/spinoza-personnage-litteraire_48193.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Unamuno et Borges, aux miroirs de Benito Espinosa (séminaire Spinoza, personnage littéraire)&lt;/a&gt;&lt;br /&gt;- Jeudi 9 février 2012, Maison de la Poésie et de la Langue française : &lt;img id=&quot;fs913&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/dictionnaire-des-mots-du-sexe_49241.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Dictionnaire des mots du sexe&lt;/a&gt;&lt;br /&gt;- Du 9 février 2012 au 11 février 2012, INHA et Centre culturel allemand : &lt;img id=&quot;fs17194&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/art-et-poesie-artistes-ecrivains-et-esthetes-autour-de-marcel-proust_48915.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Art et poésie: artistes, écrivains et esthètes autour de Marcel Proust&lt;/a&gt;&lt;br /&gt;- Du 9 février 2012 au 9 février 2012, IRHT - Paris : &lt;img id=&quot;fs4015&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/premiere-journee-d-etude-du-groupe-tradlat_48635.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Première journée d’étude du groupe Tradlat&lt;/a&gt;&lt;br /&gt;- Du 10 février 2012 au 13 février 2012, Paris - Prague : &lt;img id=&quot;fs10411&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/les-enfants-de-herbart-des-formalismes-aux-structuralismes-en-europe-centrale-et-orientale-_49136.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Les enfants de Herbart. 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Lagarce - Continuité, discontinuité, reprise&lt;/a&gt;&lt;br /&gt;- Vendredi 10 février 2012, Université de Toulouse le Mirail, salle AR 302 (Bâtiment de l'arche) : &lt;img id=&quot;fs29446&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/journee-d-etudes-agregation-en-scenes_48879.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;«&amp;nbsp;Agrégation en scènes&amp;nbsp;»&lt;/a&gt;&lt;br /&gt;- Vendredi 10 février 2012, Amiens : &lt;img id=&quot;fs16555&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/une-soiree-avec-jules-verne-cie_48554.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Jules Verne &amp;amp; Cie&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;- Samedi 11 février 2012, Institut Supérieur des Sciences Humaines de Tunis : &lt;img id=&quot;fs28291&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/span-stylefont-size-160pt-font-family-times-new-roman-times-new-roman-i-dia-de-america-latina-span_49224.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;I Día de América Latina&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Calendrier complet à : &lt;img id=&quot;fs5738&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/calendrier.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.fabula.org/calendrier.php&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;&lt;p&gt;&lt;strong&gt;APPELS À CONTRIBUTION OU À COLLABORATION&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;- &lt;img id=&quot;fs26984&quot; 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rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Courtly literature and culture &amp;nbsp;(ICLS British Branch Conference 2012 CFP)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2813&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/memoires-et-representations-de-la-deportationen-europe-aujourd-hui_49024.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Mémoires et représentations de la déportation en Europe aujourd’hui&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19084&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/journee-d-etudes-doctoralesespaces-et-quete-identitaire-dans-le-roman-francais-actuel_49012.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&amp;nbsp;Journée d’Études doctorales &quot;Espaces et quête identitaire dans le roman français actuel&quot;&amp;nbsp;&lt;/a&gt; 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src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/congres-commemoratif-du-25e-anniversaire-de-l-association-portugaise-de-litterature-comparee_48997.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Penser le Comparatisme: Parcours, Impasses et Perspectives&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4620&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-salon-de-l-academie-royale-de-peinture-et-sculpture-archeologie-d-une-institution_48989.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le Salon de l’Académie royale de peinture et sculpture : archéologie d’une institution&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5355&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/libres-cahiers-pour-la-psychanalyse-au-dela-du-principe-de-plaisir_48977.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Au-delà du principe de plaisir&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28181&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-art-du-portrait-dans-la-litterature-le-cinema-et-la-peinture_48976.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L’art du portrait dans la littérature, le cinéma et la peinture.&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs385&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/les-arts-de-guerre-et-de-grace-xive-xviiie-sieclesde-la-codification-du-mouvement-a-sa-restitution-_48968.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Les arts de guerre et de grâce (XIVe – XVIIIe siècles). De la codification du mouvement à sa restitution : hypothèses, expérimentations et limites.&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24062&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/appel-a-contributions-pour-essai-collectif_48966.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Poétiques de la compassion : pauvreté et mort dans la poésie, l'essai et le récit (appel à contributions pour essai collectif) &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs27139&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/sens-dessus-dessous-conceptions-et-articulations-de-l-ordre-et-du-desordre-date-limite-repoussee_48920.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Sens dessus dessous : conceptions et articulations de l’ordre et du désordre (Date limite repoussée)&lt;/a&gt; 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rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L’amitié dans les écrits du for privé et les correspondances,de la fin du Moyen Âge à 1914&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8940&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/les-mouvements-automatiques_48898.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Les mouvements automatiques &amp;nbsp;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs19534&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/didactique-des-langues-secondes-nouvelles-technologies-et-resultats-d-apprentissage_48896.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Didactique des langues secondes, nouvelles technologies et résultats d'apprentissage&lt;/a&gt; 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/&gt;&lt;a href=&quot;http://www.fabula.org/actualites/spicilege-cahiers-marcel-schwob-le-livre-de-monelle_48873.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;&lt;em&gt;Le Livre de Monelle&lt;/em&gt;&quot; (&lt;em&gt;Spicilège – Cahiers Marcel Schwob)&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs20315&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/francophone-literature-of-africa-and-the-caribbean--2012-rmmla-convention_48867.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Francophone Literature of Africa and the Caribbean ( 2012 RMMLA &amp;nbsp;Convention)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs28032&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/appel-a-collaboration-pour-le-numero-regulier-avril-2012-studii-si-cercetari-filologice-seria-limbi-_48865.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le discours dramatique&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs12810&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-litterature-va-t-en-guerre-representations-fictionnelles-de-la-guerre-et-du-conflit-dans-les-_48854.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;La littérature va-t’en guerre :&amp;nbsp;&lt;/em&gt;Représentations fictionnelles de la guerre et du conflit&amp;nbsp;dans les littératures contemporaines&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21064&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/atelier-international-de-reflexion-sur-le-theme-pratiques-professionnelles-et-methodes-didactiques-_48851.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Pratiques professionnelles et méthodes didactiques du domaine de l’enseignement/ apprentissage de la traduction spécialisée &amp;nbsp;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs2044&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/meridian-critic-2012-litterature-et-technologie_48844.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Meridian critic&lt;/em&gt;, 2012. Littérature et technologie&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs17365&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/colloque-international-les-frontieres-de-l-humain-et-le-post-humain-mapping-humanity-and-the-post-_48842.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Les frontières de l'humain et le post-humain&quot; / &quot;Mapping Humanity and the Post-Human&quot; &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs22762&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/reves-d-autorite-dans-le-discours-et-la-pratique-des-lumieres-experience-experimentation-et-_48821.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Rêves d'autorité dans le discours et la pratique des Lumières. 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src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/calendrier.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.fabula.org/calendrier.php&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;img id=&quot;fs25155&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;span&gt;- &lt;img id=&quot;fs19458&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/prix-xviie-siecle_49323.php&quot; rel=&quot;nofollow&quot; 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target=&quot;_blank&quot;&gt;Écrivain en résidence à l'Université McGill (2012-2013) &amp;nbsp;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32380&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/vacancies-for-french-studies-contributors-for-the-year-s-work-in-modern-language-studies_48740.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Vacancies for French Studies contributors for the &lt;em&gt;Year's Work in Modern Language Studies&lt;/em&gt;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5875&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/professeur-adjoint-pour-un-poste-en-litterature-et-culture-francophones_48739.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Professeur adjoint (CDD) pour un poste en littérature et culture francophones (Canada)&lt;/a&gt; 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rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bourse doctorale : &quot;Early modern textual cultures of Western Europe&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs8926&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/prix-xviie-siecle_48329.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Prix XVII&lt;sup&gt;e&lt;/sup&gt; Siècle&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs25196&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/aide-a-l-edition-xviie-siecle_48328.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Aide à l'édition (&lt;em&gt;XVIIe siècle&lt;/em&gt;)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs6700&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/university-college-londonlecturer-in-french-renaissance-studies-ref-1190062_48187.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Lecturer in French Renaissance Studies (UCL - London)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs4844&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/permutation-de-postes_48111.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Permutation de postes 9e section&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32559&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/professeur-de-francaisalliance-francaise-de-chengdu-chine_48069.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Professeur de Français (Alliance Française de Chengdu-Chine)&amp;nbsp;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs21402&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/michigan-state-university-assistant-professor-of-french-literature-and-culture-17th-18th-centuries_47959.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Michigan State University : Assistant Professor of French literature and culture, 17th--18th centuries &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs29881&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/vacations-en-langue-francaise-a-l-universite-de-haute-alsace-mulhouse_47955.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Vacations en Langue Française à l'Université de Haute-Alsace (Mulhouse)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs14462&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/bourse-de-doctorat-dorothy-dallas-en-litterature-francaise-du-17e-ou-du-18e-siecle-universite-de-_47895.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bourse de doctorat Dorothy Dallas en littérature française du XVII&lt;sup&gt;e&lt;/sup&gt; ou du XVIII&lt;sup&gt;e&lt;/sup&gt; siècle, Université de Colombie-Britannique (Vancouver)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs12613&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/permanent-position-of-lecturer-in-french-studies-poste-permanent-de-maitre-de-conference-en-etudes-_47837.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Permanent position of Lecturer in French Studies - Poste permanent de Maître de conférence en Etudes françaises&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3696&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/phd-postion-in-the-phd-programme-in-literature-at-the-university-of-munich_47781.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;PhD Postion in the PhD programme in Literature at the University of Munich&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs9583&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/assistant-professor-with-expertise-in-linguistics-and-pedagogy-for-a-tenure-track-appointment-at-_47732.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Assistant Professor with expertise in linguistics and pedagogy for a tenure-track appointment at Colby College&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1589&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/four-year-career-development-fellowship-in-french_47685.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Poste à New College, Oxford, &quot;Four-Year Career Development Fellowship in French&quot;&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs7958&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/visiting-professor-or-associate-professor-of-french-literature-kyushu-university-fukuoka-japan_47661.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Visiting Professor (or Associate Professor) of French literature, Kyushu University (Fukuoka, Japan)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs23965&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/vacation-litterature-adolescente-20h-universite-lille-3_47573.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Vacation - Littérature Adolescente - 20h - Université Lille 3&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs5778&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/assistant-professor-of-french-saint-michael-s-college-vermont-usa_47569.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Assistant Professor of French, Saint Michael's College (Vermont, USA)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs7763&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/bourses-d-etudes-doctorales-departement-de-francais-l-universite-de-l-illinois-a-urbana-champaign-_47545.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bourses d'études doctorales, Département de Français, l'Université de l'Illinois à Urbana-Champaign, USA&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs32429&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/lecturer-in-french-studies-at-the-pennsylvania-state-university-fall-2012-and-spring-2013_47468.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Lecturer in French Studies at The Pennsylvania State University (Fall 2012 and Spring 2013) &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs2184&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/bourse-postdoctorale-du-clc-centre-de-litterature-canadienne_47454.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bourse postdoctorale du CLC (Centre de littérature canadienne)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30008&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/urgent-poste-d-ater-a-temps-partiel-en-techniques-d-expression-note-de-synthese-universite-de-paris-_47452.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Poste d'ATER à temps partiel en techniques d'expression (Note de synthèse) - Université de Paris Est-Créteil &lt;/a&gt;&lt;br /&gt;- &lt;img id=&quot;fs12195&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/ouverture-de-poste-directeur-du-departement-de-modern-languages-chair-of-the-school-of-modern-_47451.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Ouverture de poste: directeur du département de Modern Languages - Chair of the School of Modern Languages, Georgia Tech&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs24948&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/bourses-pour-chercheurs-quebecois-et-chercheurs-de-l-exterieur-du-quebec_47409.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bourses pour chercheurs québecois et chercheurs de l'extérieur du Québec&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs16778&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/assistant-professor-with-expertise-in-linguistics-and-pedagogy-for-a-tenure-track-appointment-colby-_47392.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Assistant Professor with expertise in linguistics and pedagogy for a tenure-track appointment (Colby College)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs13997&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/assistant-professor-of-french-wesleyan-university-middletown-ct-usa_47370.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Assistant Professor of French, Wesleyan University, Middletown, CT USA&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs30036&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/research-associate-two-year-fixed-term_47341.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Research Associate (two-year fixed term)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs1202&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/directeur-directrice-de-la-societe-d-histoire-du-theatre_47307.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Directeur / Directrice de la Société d'Histoire du Théâtre&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs17500&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/assistant-professor-of-french_47251.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Assistant professor of french (Wesleyan university)&lt;/a&gt; &lt;br /&gt;- &lt;img id=&quot;fs3349&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/945712869.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/poste-en-enseignement-du-francais-langue-seconde-avec-specialisation-en-tice-universite-concordia_47224.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Poste en Enseignement du français langue seconde, avec spécialisation en TICE, Université Concordia&lt;/a&gt; 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                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2012/02/07/fabula-actualite-des-etudes-litteraires.html</guid>
                <title>Fabula, actualité des études littéraires</title>
                <link>http://www.lauravanel-coytte.com/archive/2012/02/07/fabula-actualite-des-etudes-litteraires.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                                <pubDate>Thu, 09 Feb 2012 00:24:00 +0100</pubDate>
                <description>
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&lt;/span&gt;&lt;span class=&quot;btn lozenge lozengeadd right small btn-kiosk-addcontact&quot; data-action=&quot;modal&quot; data-address=&quot;fabula-lettre@listes.dz.auf.org&quot; data-name=&quot;&quot;&gt;&lt;a title=&quot;Ajouter l’expéditeur fabula-lettre@listes.dz.auf.org dans vos contacts&quot; tabindex=&quot;0&quot;&gt;&amp;nbsp;&lt;strong&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;div class=&quot;flag &quot; title=&quot;Cliquer pour affecter une étoile au mail pour une action ultérieure&quot; data-action=&quot;msg-flag&quot;&gt;&lt;a href=&quot;http://36ohk6dgmcd1n-c.c.yom.mail.yahoo.net/om/api/1.0/openmail.app.invoke/36ohk6dgmcd1n/9/1.0.35/fr/fr-FR/view.html&quot;&gt;Ce mail est affecté d'une étoile.&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;date&quot;&gt;&lt;span&gt;Dimanche 5 février 2012 10h37&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id=&quot;yui_3_2_0_15_132860116493722&quot; class=&quot;msg-body inner  undoreset&quot;&gt;&lt;div id=&quot;yiv1441869729&quot;&gt;&lt;div id=&quot;yui_3_2_0_1_1328601164937231&quot;&gt;&lt;p&gt;&lt;span&gt;Fabula&lt;/span&gt;, actualité des études littéraires&lt;/p&gt;&lt;h3 id=&quot;yui_3_2_0_1_1328601164937263&quot;&gt;&lt;img id=&quot;fs9507&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a style=&quot;color: #0000cc;&quot; href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.&lt;span&gt;fabula&lt;/span&gt;.org&lt;/a&gt;&lt;/h3&gt;&lt;span style=&quot;border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;&quot;&gt;&lt;span style=&quot;border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;&quot;&gt;&lt;span&gt;&lt;strong&gt;&lt;span&gt;Lettre&lt;/span&gt;&amp;nbsp;d'information / &lt;em&gt;Acta fabula &lt;/em&gt;:&amp;nbsp;&quot;Nouveaux chemins de l'histoire littéraire&quot;&lt;br /&gt;&lt;/strong&gt;Édition du dimanche 5 février 2012&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;-----&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;img title=&quot;jumelles-tvy045.jpg&quot; src=&quot;http://fr.mg41.mail.yahoo.com/ya/download?mid=1%5f4858%5fAKm97k0AAGpvTy5PVQbzbxbtsVM&amp;amp;pid=2&amp;amp;fid=%25e0%2520metttre%2520sur%2520blog&amp;amp;inline=1&amp;amp;appid=YahooMailNeo&quot; alt=&quot;jumelles-tvy045.jpg&quot; /&gt;&lt;/div&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;&lt;strong&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Présentation&lt;em&gt;&amp;nbsp;&lt;/em&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;L'histoire littéraire est, depuis quelques années, en plein renouveau critique et théorique, empruntant de nouveaux chemins et s'efforçant de diversifier les points d'accroche pour saisir le phénomène littéraire. Que l'on pense, par exemple à la réflexion de G. Philippe et J. Piat sur &lt;img id=&quot;fs9721&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/g-philippe-j-piat-dir-la-langue-litteraire-de-gustave-flaubert-a-claude-simon_33026.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;la langue littéraire&lt;/a&gt; ou au numéro de LHT consacré à &quot;&lt;img id=&quot;fs5900&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/lht/7/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;l'histoire littéraire des femmes&lt;/a&gt;&quot;.&amp;nbsp;&lt;img id=&quot;fs27927&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Acta fabula&lt;/em&gt;&lt;/a&gt;&amp;nbsp;a souhaité revenir, dans sa livraison de janvier 2012, sur trois projets récents et engager le débat autour de&amp;nbsp;&lt;img id=&quot;fs9068&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/chr-mcdonald-et-s-suleiman-french-global-a-new-approach-to-literary-history_41221.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;French Global&lt;/em&gt;&lt;/a&gt;&amp;nbsp;(ouvrage dirigé par S. Suleiman et C. McDonald, et présenté par &lt;img id=&quot;fs31369&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6741.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;J.L. Jeannelle&lt;/a&gt;, &lt;img id=&quot;fs23705&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6751.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Murat&lt;/a&gt;, &lt;img id=&quot;fs16181&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6755.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;M. Reid&lt;/a&gt; et &lt;img id=&quot;fs63&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6758.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Vaillant&lt;/a&gt;), de l'essai&amp;nbsp;&lt;img id=&quot;fs14597&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/a-vaillant-l-histoire-litteraire_36919.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;L'Histoire littéraire&lt;/em&gt;&amp;nbsp;d'A. Vaillant&lt;/a&gt; (dont on peut lire l'&lt;img id=&quot;fs14280&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/atelier.php?Paradoxe_de_l_histoire_litteraire&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;avant-propos&lt;/a&gt; et une &lt;img id=&quot;fs10814&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6742.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;mise en application&lt;/a&gt; par S. Dubois) et du projet d'&lt;img id=&quot;fs2272&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/hle&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;histoire littéraire des écrivains&lt;/a&gt; (voir les numéros de&amp;nbsp;&lt;em&gt;&lt;img id=&quot;fs1135&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-licorne-n86-fictions-d-histoire-litteraire_32689.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;La Licorne&lt;/a&gt; &lt;/em&gt;recensé par &lt;img id=&quot;fs24354&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6740.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;H. Baty&lt;/a&gt;, de la&amp;nbsp;&lt;img id=&quot;fs27625&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/romanic-review-vol-100-literary-histories-of-literatures_39713.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Romanic Review&lt;/em&gt;&lt;/a&gt; présenté par &lt;img id=&quot;fs8248&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6748.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;A. Glinoer&lt;/a&gt; et de &lt;img id=&quot;fs8158&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6760.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;l'introduction d'un collectif&lt;/a&gt; à paraître). Bornes chronologiques, frontières disciplinaires, position du critique, constructions théoriques et fictionnelles: autant de questions soumises à l'examen dans notre dix-neuvième dossier critique.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;Sommaire :&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs1524&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6740.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Des histoires pas sérieuses&amp;nbsp;? Fictions buissonnières &amp;amp; reconfigurations de l’histoire littéraire&lt;/a&gt;, Hélène&lt;span&gt; Baty-Delalande&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : &lt;img id=&quot;fs13467&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-licorne-n86-fictions-d-histoire-litteraire_32689.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;Fictions d’histoire littéraire&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;, Études réunies et présentées par Jean-Louis Jeannelle,&lt;em&gt; La Licorne&lt;/em&gt;, n°&amp;nbsp;86.&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs5672&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6741.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le global, le national &amp;amp; le planétaire&lt;/a&gt;, Jean-Louis&lt;span&gt; Jeannelle&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : &lt;img id=&quot;fs14461&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/chr-mcdonald-et-s-suleiman-french-global-a-new-approach-to-literary-history_41221.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;French Global. A New Approach to Literary History&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;, sous la direction de Christie McDonald &amp;amp; Susan Suleiman.&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs3656&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6742.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Théorie &amp;amp; pratique de l’histoire littéraire&amp;nbsp;: la littérature comme système &amp;amp; comme acte de communication&lt;/a&gt;,&lt;/strong&gt; &lt;strong&gt;Sophie&lt;span&gt; Dubois&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : Alain Vaillant, &lt;img id=&quot;fs24970&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/a-vaillant-l-histoire-litteraire_36919.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;L’Histoire littéraire&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;.&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs2333&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6744.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;French Global : comment écrire une histoire littéraire au XXIe siècle ?&lt;/a&gt;,&lt;/strong&gt; &lt;strong&gt;Susan Rubin&lt;span&gt; Suleiman&lt;/span&gt; et Christie &lt;span&gt;McDonald&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : &lt;img id=&quot;fs4310&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/chr-mcdonald-et-s-suleiman-french-global-a-new-approach-to-literary-history_41221.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;French Global. A New Approach to Literary History&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;, sous la direction de Christie McDonald &amp;amp; Susan Suleiman.&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs5907&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6758.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L'Histoire littéraire, entre le global &amp;amp; le national&lt;/a&gt;,&amp;nbsp;Alain&lt;span&gt;&amp;nbsp;Vaillant&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur :&amp;nbsp;&lt;img id=&quot;fs8738&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/chr-mcdonald-et-s-suleiman-french-global-a-new-approach-to-literary-history_41221.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;French Global. A New Approach to Literary History&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;, sous la direction de Christie McDonald &amp;amp; Susan Suleiman.&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs1509&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6748.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Quelles histoires littéraires de la littérature&amp;nbsp;?&lt;/a&gt;,&lt;/strong&gt; &lt;strong&gt;Anthony&lt;span&gt; Glinoer&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : &lt;img id=&quot;fs29009&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/romanic-review-vol-100-literary-histories-of-literatures_39713.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;Romanic Review&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;img id=&quot;fs15024&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/romanic-review-vol-100-literary-histories-of-literatures_39713.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;, vol.&amp;nbsp;100, n°&amp;nbsp;1-2&amp;nbsp;: «&amp;nbsp;Literary Histories of Literature&amp;nbsp;»&lt;/a&gt;, sous la direction d’Antoine Compagnon et Vincent Debaene.&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs3240&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6751.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;En quoi la littérature française est‑elle «&amp;nbsp;globale&amp;nbsp;»&amp;nbsp;?&lt;/a&gt;, Michel&lt;span&gt; Murat&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : &lt;img id=&quot;fs22977&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/chr-mcdonald-et-s-suleiman-french-global-a-new-approach-to-literary-history_41221.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;French Global. A New Approach to Literary History&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;, sous la direction de Christie Mc&amp;nbsp;Donald &amp;amp; Susan Rubin Suleiman.&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs503&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6755.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;L'histoire littéraire à la lumière de la théorie&lt;/a&gt;, Martine&lt;span&gt; Reid&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : &lt;img id=&quot;fs4493&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/chr-mcdonald-et-s-suleiman-french-global-a-new-approach-to-literary-history_41221.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #0000ff; text-decoration: underline;&quot;&gt;&lt;em&gt;French Global. A New Approach to Literary History&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;, sous la direction de Christie McDonald &amp;amp; Susan Suleiman.&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs26141&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/document6760.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Qu’est-ce que l’histoire littéraire des écrivains&amp;nbsp;?&lt;/a&gt;,&lt;/strong&gt; &lt;strong&gt;Vincent&lt;span&gt; Debaene, Jean-Louis Jeannelle, Marielle Macé et Michel Murat.&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;sur : &lt;em&gt;L’Histoire littéraire des écrivains&lt;/em&gt;, à paraître.&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-weight: bold; text-decoration: underline;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-weight: bold; text-decoration: underline;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;2. &amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-weight: bold; text-decoration: underline;&quot;&gt;Toujours à la Une de Fabula :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span&gt;&lt;img id=&quot;fs19131&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;French theory&lt;/em&gt;. Les alliés substantiels&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;&amp;nbsp;:&amp;nbsp;Avec la disparition de ses principales figures, on pouvait croire clos (mais non pas achevé) le corpus de ce qui se nomme partout ailleurs qu'en France la &lt;em&gt;french theory&lt;/em&gt;. Les rayons de nos bibliothèques, et nos façons de penser, vont pourtant accueillir dès ce mois-ci quelques nouveaux titres inédits ou jusqu'ici indisponibles, et pour certains inattendus. Après &lt;img id=&quot;fs29052&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-derrida-politique-et-amitie-entretien_43904.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Politique de l'amitié&lt;/em&gt;&lt;/a&gt; l'an passé, les éditions Galilée donnent deux nouveaux &lt;em&gt;opus&lt;/em&gt; de J. Derrida: &lt;img id=&quot;fs19749&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-derrida-histoire-du-mensonge-prolegomenes_48859.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Histoire du mensonge&lt;/em&gt;&lt;/a&gt; et &lt;img id=&quot;fs8549&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-derrida-les-yeux-de-la-langue-l-abime-et-le-volcan_48858.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Les Yeux de la langue&lt;/em&gt;&lt;/a&gt;. Le Seuil publie les cours au Collège de France de P. Bourdieu, &lt;img id=&quot;fs10809&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bourdieu-sur-l-etat-cours-au-college-de-france-1989-1992-inedit_48652.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Sur l'État&lt;/em&gt;&lt;/a&gt;. Klincksieck donne les &lt;img id=&quot;fs3453&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-f-lyotard-rudiments-paiens_48857.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Rudiments païens&lt;/em&gt;&lt;/a&gt; de J.-F. Lyotard. Trois ouvrages de F. Guattari paraissent aussi coup sur coup, un &lt;img id=&quot;fs32558&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-guattari-de-leros-a-la-borde-precede-de-journal-de-leros_49017.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;journal qui court de &lt;em&gt;Leros à La Borde&lt;/em&gt;&lt;/a&gt;,&amp;nbsp; un &lt;img id=&quot;fs22952&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-guattari-ecrits-pour-l-anti-oedipe_49018.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;recueil de textes qui éclairent la rédaction de l'&lt;em&gt;Anti-Oedipe &lt;/em&gt;&lt;/a&gt;avec Deleuze, et &lt;img id=&quot;fs30163&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/f-guattari-lignes-de-fuite-pour-un-autre-monde-de-possibles_49019.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Lignes de fuite&lt;/em&gt;, ou comment faire advenir des possibles dans un capitalisme mondial intégré&lt;/a&gt;. Et le mémorable &lt;img id=&quot;fs12294&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/r-barthes-journal-de-deuil-reed-poche_48643.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Journal de deuil&lt;/em&gt;&lt;/a&gt; de R. Barthes reparaît dans un format de poche (Points Seuil). Rappelons aussi l'entretien de M. Foucault publié l'an passé aux éd. Ehess sous le titre &lt;img id=&quot;fs24851&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/m-foucault-le-beau-danger-entretien_47292.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Le beau danger&lt;/em&gt;&lt;/a&gt; (éd. EHESS).&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs19449&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Eh bien : dansez maintenant !&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;;&amp;nbsp;Alors que le centre Pompidou consacre, jusqu'au mois d'avril, une exposition aux liens entre les arts visuels et la danse, un certain nombre de travaux en sciences humaines reviennent, en ce début d'année, sur cette forme d'art.&amp;nbsp;Dans &lt;img id=&quot;fs31330&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/michel-wassermanclaudel-danse-japon_48973.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Claudel Danse Japon,&amp;nbsp;&lt;/em&gt;M. Wasserman&lt;/a&gt;&amp;nbsp;étudie deux ballets dont l'argument est dû à Claudel.&amp;nbsp;L'atelier des doctorants en danse organise pour sa part une journée d'études consacrée aux&amp;nbsp;&lt;img id=&quot;fs9815&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/les-oublies-de-l-histoire-de-la-danse_48996.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;oubliés de l'histoire de la danse&lt;/a&gt; et invite à une réflexion sur l'écriture de cette histoire, dans laquelle la mémoire supplée bien souvent aux traces écrites. Dans &lt;em&gt;&lt;img id=&quot;fs12196&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/d-noguez-si-la-danse-est-une-pensee_49056.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Si la danse est une pensée&lt;/a&gt;,&amp;nbsp;&lt;/em&gt;D. Noguez interroge l'essence de la danse, tandis que la revue&amp;nbsp;&lt;em&gt;Le Pan poétique des muses&lt;/em&gt; lance un appel à contributions &amp;nbsp;portant sur les rapports entre&lt;img id=&quot;fs5173&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/contribuer-au-n-deg-1-dossier-et-poemes-sur-le-theme-poesie-danse-et-genre_47336.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt; la danse et la poésie&lt;/a&gt;. &amp;nbsp;En ce mois de janvier, tout nous incite donc à répondre au mot d'ordre du&amp;nbsp;&lt;em&gt;Pina&lt;/em&gt; de Wim Wenders&amp;nbsp;: Dansons, dansons, sinon nous sommes perdus&amp;nbsp;!&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;&lt;img id=&quot;fs11609&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;La musique donne le &quot;la&quot;&lt;/a&gt;&amp;nbsp;&lt;/strong&gt;:&amp;nbsp;La récente salve d'ouvrages sur la musique témoigne d'un regain d'intérêt théorique et philosophique pour cet art, en même temps que de l'ouverture interdisciplinaire de la musicologie actuelle. Parmi les titres généraux tout récents, signalons l'&lt;img id=&quot;fs29928&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/v-vives-la-musique-anthologie-litteraire-et-philosophique_48824.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;anthologie de textes littéraires et philosophiques sur la musique&lt;/a&gt; présentée par V. Vivès, et les &lt;img id=&quot;fs28429&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/c-accaoui-dir-elements-d-esthetique-musicale-notions-formes-et-styles-en-musique_48795.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Éléments d'esthétique musicale&lt;/em&gt;, un ouvrage collectif dirigé par C. Accaoui&lt;/a&gt; qui dresse le répertoire des &quot;Notions, formes et styles en musique&quot;. Rappelons aussi les deux livres de Th. Dommange, &lt;img id=&quot;fs12590&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/t-dommange-l-homme-musical_37335.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;L'Homme musical. La notation en mots dans l'oeuvre de Schumann&lt;/em&gt;&lt;/a&gt; et &lt;img id=&quot;fs12377&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/th-dommange-instruments-de-resurrection-etude-philosophique-de-la-passion-selon-saint-matthieu-de-j-_40703.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Instruments de résurrection. Étude philosophique de La Passion selon saint Matthieu de J.-S. Bach&lt;/em&gt;&lt;/a&gt;. Ou encore, l'&lt;img id=&quot;fs7338&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/comprendre-la-musique-contributions-de-boris-de-schloezer-a-la-nouvelle-revue-francaise-et-a-la-_44861.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;ouvrage de T. Picard sur le théoricien Boris de Schloezer&lt;/a&gt;, ou celui&lt;img id=&quot;fs11012&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/y-seite-le-jazz-a-la-lettre_38218.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt; de Yannick Seité, &lt;em&gt;Le Jazz à la lettre&lt;/em&gt;&lt;/a&gt;. L'&lt;img id=&quot;fs5129&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/atelier.php?Musique&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;entrée &quot;Musique&quot;&lt;/a&gt; de notre Atelier de théorie littéraire abrite une page qui regroupe désormais &lt;img id=&quot;fs13055&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/atelier.php?Musique%3A_recensions_d%27ouvrages&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;tous les comptes rendus parus dans &lt;em&gt;Acta fabula&lt;/em&gt; sur des ouvrages relatifs à la musique ou aux rapports entre musique et littérature&lt;/a&gt;, et qui renvoie aussi, parmi nos colloques en ligne, aux &lt;img id=&quot;fs17808&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/colloques/sommaire1228.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;actes d'une journée d'études &quot;Littérature et musique&quot; à l'ENS&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs1863&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Personnages en quête de théorie&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;:&amp;nbsp;La catégorie du personnage semble inhérente à toute fiction, et à ce titre anhistorique. Or elle pourrait s’avérer d’un usage problématique lorsqu’elle est appliquée à des oeuvres antérieures au paradigme du roman &quot;réaliste&quot; du XIX&lt;sup&gt;e&lt;/sup&gt; siècle qu’ont largement privilégié certains théoriciens de la notion: elle véhiculerait tout un ensemble de présupposés, notamment en termes d’analyse psychologique, assez étrangers aux fictions antiques ou classiques. La cinquième séance du &lt;img id=&quot;fs16101&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/anachronies-textes-anciens-et-theories-modernes-seminaire_46667.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;séminaire «&amp;nbsp;Anachronies&amp;nbsp;»&lt;/a&gt; (le 03 février 2012) abordera les problèmes liés à la &lt;img id=&quot;fs9985&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/la-notion-de-personnage-seminaire-anachronies_46673.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;notion de personnage&lt;/a&gt; à partir de deux études de cas: l’&lt;em&gt;Énéide &lt;/em&gt;de Virgile et les &lt;em&gt;Fables&lt;/em&gt; de La Fontaine.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;&lt;strong&gt;&lt;img id=&quot;fs29262&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;La Civlisation du journal&amp;nbsp;&lt;/a&gt;:&lt;/strong&gt;&amp;nbsp;&lt;/em&gt;Vaste entreprise collective, &lt;img id=&quot;fs13382&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/d-kalifa-ph-regnier-m-e-therenty-a-vaillant-dir-la-civilisation-du-journal_48672.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;La Civilisation du journal &lt;/em&gt;&lt;/a&gt;se propose d’étudier d’un double point de vue, à la fois historique et littéraire, le siècle d’or de la presse écrite française. Réunissant plus de soixante auteurs venus de la littérature et de l’histoire politique, culturelle et sociale, cette somme entend aborder les différentes manifestations de l’entrée dans l’ère médiatique qui s’est opérée en France entre 1800 et 1914. L’ouvrage propose ainsi des études consacrées aux conditions concrètes de l’activité journalistique, un inventaire des différentes formes qu’ont pu prendre le périodique au XIXe&amp;nbsp;siècle, des analyses consacrées au matériau textuel lui-même, autant d’entrées qui permettent de mettre au jour l’émergence d’un mode de représentation fondé sur l’écriture et la diffusion périodique, d’une véritable culture de la presse.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs14014&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Raison des effets&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;:&amp;nbsp;Nul ne saurait mieux nous en convaincre qu'&lt;img id=&quot;fs31353&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://blog.lefigaro.fr/le-fol/2012/01/au-secours-bourdieu-revient.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;un journaliste du &lt;em&gt;Figaro&lt;/em&gt; dénonçant le &quot;bourdivisme&quot;&lt;/a&gt;: on a aujourd'hui comme hier de très bonnes raisons de lire et relire P. Bourdieu. Dix ans après sa mort, les éditions du Seuil font paraître, &lt;img id=&quot;fs8545&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bourdieu-sur-l-etat-cours-au-college-de-france-1989-1992-inedit_48652.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;ses cours inédits au Collège de France (1989-1992)&lt;/a&gt;: &lt;img id=&quot;fs7196&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bourdieu-sur-l-etat-cours-au-college-de-france-1989-1992-inedit_48652.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Sur l'État,&lt;/em&gt;&lt;/a&gt; soit cette &quot;fiction collective aux effets bien réels qui est à la fois le produit, l'enjeu et l'espace ultimes de toutes les luttes d'intérêts&quot;. Le même éditeur réédite dans sa collection &quot;Points&quot; la seconde partie de l'oeuvre du sociologue dont &lt;img id=&quot;fs19600&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bourdieu-les-regles-de-l-art-genese-et-structure-du-champ-litteraire-reed-poche_48839.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Les Règles de l'art&lt;/em&gt;&lt;/a&gt;, et les méconnues &lt;img id=&quot;fs19584&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bourdieu-meditations-pascaliennes-reed-poche_48838.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Méditations pascaliennes&lt;/em&gt;&lt;/a&gt;, dialogue inattendu entre deux théoriciens de la &quot;raison des effets&quot;. La revue &lt;img id=&quot;fs32591&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/sciences-humaines-n-special-p-bourdieu_49039.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Sciences humaines&lt;/em&gt; (disponible en kiosque ou en ligne) consacre un numéro spécial à l'oeuvre du sociologue&lt;/a&gt;. Signalons aussi une &lt;img id=&quot;fs23492&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/quand-bourdieu-photographiait-l-algerie-francetvfr_48840.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;exposition à Strasbourg qui réunit 150 photographies en noir et blanc prises par Pierre Bourdieu entre 1958 et 1961&lt;/a&gt;, lors de son séjour en Algérie.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs447&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Perec &lt;em&gt;Condottiere&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;:&amp;nbsp;&quot;Gaspard Winckler est un peintre faussaire travaillant pour le compte d'Anatole Madera. Depuis plusieurs mois, il consacre son temps à la réalisation d'un faux Condottière, célèbre tableau conservé au Louvre réalisé en 1475 par Antonello da Messina. Dès le début de l'intrigue, Winckler assassine son commanditaire. Enquête sur les mobiles de ce meurtre.&quot; Tel est le résumé diffusé par les éditions du Seuil d'un &lt;img id=&quot;fs20479&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/g-perec-le-condottiere_48800.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;roman inédit de Georges Perec qui paraîtra en mars prochain dans &quot;La Petite Librairie du XXe siècle&quot;, sous le titre du &lt;em&gt;Condottière&lt;/em&gt; &lt;/a&gt;et avec une préface de C. Burgelin. Pour saluer l'événement, &lt;img id=&quot;fs3632&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/europe-993-994-g-perec_48798.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;la revue &lt;em&gt;Europe&lt;/em&gt;, qui fêtera cette année son millième numéro, consacre un numéro double à Perec (n° 993-994)&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs23690&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Bergson dans toutes les poches&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;:&amp;nbsp;Bergson sera dans toutes les poches en cette année 2012. Tombée dans le domaine public, son oeuvre déjà rééditée dans la collection &quot;Quadrige&quot; aux PUF entre titre après titre au catalogue de la &quot;GF&quot; chez Flammarion: paraissent dès ce mois de janvier, dans des éditions nouvelles, &lt;img id=&quot;fs2998&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/h-bergson-matiere-et-memoire_48743.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Matière et mémoire&lt;/em&gt;&lt;/a&gt; et &lt;img id=&quot;fs20674&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/h-bergson-les-deux-sources-de-la-morale-et-de-la-religion-gf-flammarion_48745.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Les deux sources de la morale et de la religion&lt;/em&gt;&lt;/a&gt;, en attendant &lt;em&gt;L'Évolution créatrice&lt;/em&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;img id=&quot;fs26221&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Anacharsis&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;:&amp;nbsp;Le nom du philosophe scythe désigne par antonomase l’étranger avisé, le «&amp;nbsp;regard du dehors&amp;nbsp;» qui met à distance les moeurs habituelles de la Cité. C'est aussi depuis le début du nouveau millénaire le nom d'une &lt;img id=&quot;fs8639&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.lekti-ecriture.com/editeurs/-Anacharsis,2-.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;maison d'édition toulousaine spécialisée dans les récits de voyages, d'essais et d'autres textes voués à la rencontre entre les cultures&lt;/a&gt; (diff. Les Belles lettres). À son catalogue, on trouve en outre une courageuse &lt;img id=&quot;fs15054&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.lekti-ecriture.com/editeurs/-collection-essais-.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;collection d'essais&lt;/a&gt;, parmi lesquels les récents volumes &lt;img id=&quot;fs3790&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/p-bayle-et-la-liberte-de-conscience_48503.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Bayle et la liberté de conscience&lt;/em&gt;&lt;/a&gt; ou &lt;img id=&quot;fs29896&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/j-p-cavaille-postures-libertines_47790.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Les Postures libertines&lt;/em&gt;&lt;/a&gt; de J.-P. Cavaillé, en attendant le &lt;img id=&quot;fs7857&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/l-canfora-le-copiste-comme-auteur_48742.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Copiste comme auteur&lt;/em&gt; de L. Canfora&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;&lt;img id=&quot;fs18546&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Le Magasin du XIXe siècle&lt;/strong&gt;&lt;/a&gt;&lt;/em&gt;&amp;nbsp;:&amp;nbsp;Se substituant au bulletin &lt;em&gt;Dix-neuvième siècle&lt;/em&gt;, &lt;img id=&quot;fs25589&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-magasin-du-xixe-siecle_48042.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;L&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;img id=&quot;fs22940&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/le-magasin-du-xixe-siecle_48042.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;e Magasin du XIXe siècle&lt;/a&gt;&lt;/em&gt;&lt;img id=&quot;fs10459&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;est une revue annuelle lancée par la Société des études romantiques et dix-neuviémistes. Doté d’une nouvelle maquette, &lt;em&gt;Le Magasin du XIXe siècle&lt;/em&gt; est également marqué par un nouvel esprit éditorial. Désireux de se démarquer des revues scientifiques traditionnelles et animé par un esprit de «&amp;nbsp;vulgarisation&amp;nbsp;», dans l'acception la plus noble de ce terme, &lt;em&gt;Le Magasin du XIXe siècle&lt;/em&gt; souhaite s’ouvrir à de nouveaux lecteurs et susciter en eux le goût du XIXe siècle, en leur faisant découvrir le fruit des recherches en cours. Cette première livraison met notamment à l'honneur un dossier consacré à la question des femmes auteurs au XIXe siècle.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span&gt;&lt;img id=&quot;fs20610&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Sous le signe de Baudelaire&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;:&amp;nbsp;&lt;/span&gt;Quelques semaines après la sortie du &lt;img id=&quot;fs26535&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/y-bonnefoy-sous-le-signe-de-baudelaire_48708.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;livre d'Yves Bonnefoy&lt;/a&gt; et la tenue à Paris d'un &lt;img id=&quot;fs19814&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/baudelaire-dans-le-monde-traditions-critiques-et-traductions_47864.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;colloque international sur les réceptions critiques de l'auteur des &lt;em&gt;Fleurs du Mal&lt;/em&gt;&lt;/a&gt;, A. Compagnon consacre &lt;img id=&quot;fs23128&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/baudelaire-moderne-et-antimoderne-cours-et-seminaire-au-college-de-france_48034.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;son cours et son séminaire au Collège de France à Baudelaire&lt;/a&gt;, comme figure irréductible, moderne et antimoderne. Occasion pour Y. Bonnefoy de revenir au Collège, ce mardi 10 janvier, pour donner une conférence inaugurale au titre programmatique&amp;nbsp;: &quot;Pourquoi Baudelaire&amp;nbsp;?&quot;. On pourra d'ici là relire l'un des tout premiers articles parus dans Acta fabula&lt;em&gt;,&lt;/em&gt; &lt;img id=&quot;fs31220&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/revue/cr/91.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&quot;Bonnefoy lecteur de Baudelaire&quot;&lt;/a&gt; par C. Alduy. Se tiendra enfin, au printemps, un &lt;img id=&quot;fs1291&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; border=&quot;0&quot; hspace=&quot;5&quot; /&gt;&lt;a href=&quot;http://www.fabula.org/actualites/baudelaire-moderne-et-antimoderne-colloque_48035.php&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;colloque sur le même thème&lt;/a&gt;. Autant de retours à un poète qui nous permet, comme l'écrit Bonnefoy, de &quot;garder la foi en la poésie&quot;.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Le Groupe de recherche Fabula, qui est responsable du site Fabula et qui publie cette lettre d'information, est placé sous la direction d'un Comité scientifique : &lt;img id=&quot;fs11909&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/02/3108924484.png&quot; alt=&quot;&quot; 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                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2012/01/04/j-aime-regarder-la-grande-librairie.html</guid>
                <title>J'aime regarder &quot;La grande librairie&quot;</title>
                <link>http://www.lauravanel-coytte.com/archive/2012/01/04/j-aime-regarder-la-grande-librairie.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                                <pubDate>Wed, 04 Jan 2012 14:35:05 +0100</pubDate>
                <description>
                    &lt;div class=&quot;col589px une_tournante block galerieBloc&quot;&gt;&lt;h2 class=&quot;_titre&quot;&gt;LES INVITES DE L'EMISSION DU &lt;span style=&quot;text-transform: uppercase;&quot;&gt;5 janvier 2012&lt;/span&gt;&lt;/h2&gt;&lt;div class=&quot;prev inactive&quot; title=&quot;Précédent&quot;&gt;Précédent&lt;/div&gt;&lt;ul class=&quot;content&quot;&gt;&lt;li class=&quot;hover&quot;&gt;&lt;h3 class=&quot;auteur _titre&quot;&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=auteur&amp;amp;id_article=506&quot;&gt;Michel Onfray&lt;/a&gt;&lt;/h3&gt;&lt;p class=&quot;_titre titreLivre&quot;&gt;L’ordre libertaire&lt;/p&gt;&lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/arton506.jpg&quot; alt=&quot;&quot; width=&quot;453&quot; height=&quot;225&quot; /&gt; &lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/arton5957.jpg&quot; alt=&quot;&quot; width=&quot;134&quot; height=&quot;211&quot; /&gt;&lt;/li&gt;&lt;li&gt;&lt;h3 class=&quot;auteur _titre&quot;&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=auteur&amp;amp;id_article=5960&quot;&gt;Rithy Panh&lt;/a&gt;&lt;/h3&gt;&lt;p class=&quot;_titre titreLivre&quot;&gt;L’Elimination&lt;/p&gt;&lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/arton5960.jpg&quot; alt=&quot;&quot; width=&quot;453&quot; height=&quot;225&quot; /&gt; &lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/arton5963.jpg&quot; alt=&quot;&quot; width=&quot;134&quot; height=&quot;212&quot; /&gt;&lt;/li&gt;&lt;li&gt;&lt;h3 class=&quot;auteur _titre&quot;&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=auteur&amp;amp;id_article=5966&quot;&gt;Daryush Shayegan&lt;/a&gt;&lt;/h3&gt;&lt;p class=&quot;_titre titreLivre&quot;&gt;La conscience métisse&lt;/p&gt;&lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/arton5966.jpg&quot; alt=&quot;&quot; width=&quot;453&quot; height=&quot;225&quot; /&gt; &lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/arton5969.jpg&quot; alt=&quot;&quot; width=&quot;134&quot; height=&quot;207&quot; /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class=&quot;next&quot; title=&quot;Suivant&quot;&gt;Suivant&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;col200px rubrique block&quot;&gt;&lt;h2 class=&quot;_titre _entete&quot;&gt;TOUTES &lt;br /&gt;LES INFOS SUR :&lt;/h2&gt;&lt;ul class=&quot;_content&quot;&gt;&lt;li&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=emission&amp;amp;id_article=5954&quot;&gt;&amp;gt;&amp;gt; L'émission du 5 janvier 2012&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=emission_speciale&amp;amp;id_article=5951&quot;&gt;&amp;gt;&amp;gt; L'émission du 22 décembre 2011&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=emission&amp;amp;id_article=5849&quot;&gt;&amp;gt;&amp;gt; L'émission du 8 décembre 2011&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;a class=&quot;liens_plus_de&quot; href=&quot;http://www.france5.fr/la-grande-librairie/?page=archives&quot;&gt;&amp;gt; Les autres émissions&lt;/a&gt;&lt;/div&gt;&lt;!-- BLOC CONTENU MILIEU --&gt;&lt;div class=&quot;colsContainer bg_contenu&quot;&gt;&lt;div class=&quot;col667px&quot;&gt;&lt;div id=&quot;videosIntegrales&quot; class=&quot;block rubrique&quot;&gt;&lt;h2 class=&quot;entete titre_entete_haut&quot;&gt;LES VIDEOS INTEGRALES&lt;/h2&gt;&lt;ul class=&quot;content conteneur_haut&quot;&gt;&lt;li class=&quot;vignette_video_integrale&quot;&gt;&lt;h4 class=&quot;_titre titre_vignette&quot;&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=videos&amp;amp;id_article=5951&quot;&gt;Emission lecture du&lt;br /&gt;22 décembre 2011&lt;/a&gt;&lt;/h4&gt;&lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/cache-184x106/artoff5951-184x106.jpg&quot; alt=&quot;22 décembre 2011&quot; width=&quot;184&quot; height=&quot;106&quot; /&gt;&lt;/li&gt;&lt;li class=&quot;vignette_video_integrale&quot;&gt;&lt;h4 class=&quot;_titre titre_vignette&quot;&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=videos&amp;amp;id_article=5849&quot;&gt;L'émission du 8 décembre 2011&lt;/a&gt;&lt;/h4&gt;&lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/cache-184x106/arton5849-184x106.jpg&quot; alt=&quot;8 décembre 2011&quot; width=&quot;184&quot; height=&quot;106&quot; /&gt;&lt;/li&gt;&lt;li class=&quot;vignette_video_integrale&quot;&gt;&lt;h4 class=&quot;_titre titre_vignette&quot;&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/?page=videos&amp;amp;id_article=5822&quot;&gt;L'émission du 1er décembre 2011&lt;/a&gt;&lt;/h4&gt;&lt;img class=&quot;spip_logos&quot; src=&quot;http://www.france5.fr/la-grande-librairie/IMG/cache-184x104/arton5822-184x104.jpg&quot; alt=&quot;1er décembre 2011&quot; width=&quot;184&quot; height=&quot;104&quot; /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;a class=&quot;liens_plus_de&quot; href=&quot;http://www.france5.fr/la-grande-librairie/?page=videos&quot;&gt;&amp;gt; Plus de vidéos&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;block rubrique&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;block rubrique&quot;&gt;&lt;a href=&quot;http://www.france5.fr/la-grande-librairie/&quot;&gt;http://www.france5.fr/la-grande-librairie/&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;
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                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2011/12/30/je-me-souviens-d-hubert-nyssen-editeur-ami.html</guid>
                <title>Je me souviens d’Hubert Nyssen, éditeur, ami…</title>
                <link>http://www.lauravanel-coytte.com/archive/2011/12/30/je-me-souviens-d-hubert-nyssen-editeur-ami.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                                <pubDate>Fri, 30 Dec 2011 20:47:39 +0100</pubDate>
                <description>
                    &lt;p&gt;&lt;span class=&quot;author&quot;&gt;Par &lt;strong&gt;ALBERTO MANGUEL&lt;/strong&gt; Ecrivain &lt;/span&gt;&lt;/p&gt;&lt;p&gt;Certains hommes (j’imagine Montaigne comme étant de ceux-là, s’il avait eu davantage la passion des femmes, ou Rousseau, s’il avait été plus ferme dans ses convictions éthiques, ou peut-être Voltaire, s’il ne s’était pas pris pour le centre du monde) qui s’intéressent à toutes choses et qui peuvent soutenir des conversations avec tout un chacun, assez généreux pour vouloir faire partager leurs découvertes et assez modestes pour permettre aux autres d’en bénéficier.&lt;/p&gt;
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                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2011/10/22/j-ai-aime-regarder-les-carnets-de-route.html</guid>
                <title>J'ai aimé regarder:Les carnets de route de François Busnel</title>
                <link>http://www.lauravanel-coytte.com/archive/2011/10/22/j-ai-aime-regarder-les-carnets-de-route.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                <category>La télévision</category>
                                                <pubDate>Sat, 22 Oct 2011 17:26:00 +0200</pubDate>
                <description>
                    &lt;p&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.lauravanel-coytte.com/media/02/00/3627045609.jpg&quot; target=&quot;_blank&quot;&gt;&lt;img id=&quot;media-3255957&quot; style=&quot;float: left; margin: 0.2em 1.4em 0.7em 0;&quot; title=&quot;&quot; src=&quot;http://www.lauravanel-coytte.com/media/02/00/211448025.jpg&quot; alt=&quot;19783842_jpg-r_160_214-b_1_CFD7E1-f_jpg-q_x-20110722_061210.jpg&quot; /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;A partir du jeudi 20 octobre sur France 5 à 20h35 &lt;a href=&quot;http://www.premiere.fr/Star/Francois-Busnel-2212100&quot; target=&quot;_self&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;strong&gt;François Busnel&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;strong&gt; nous propose chaque mois une collection inédite : &lt;em&gt;&lt;a href=&quot;http://tele.premiere.fr/Les-carnets-de-route-de-Francois-Busnel-2952832&quot; target=&quot;_self&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Les carnets de route de François Busnel&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;. Le premier numéro est intitulé &lt;em&gt;Un air de New York&lt;/em&gt;.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;François Busnel vous propose de découvrir une autre Amérique à travers le regard de ses écrivains, avec des rencontres, des surprises et des interrogations. Un voyage en littérature qui débute le 20 octobre à 20h35 avec, entre autres, &lt;a href=&quot;http://www.premiere.fr/Star/Paul-AUSTER-109752&quot; target=&quot;_self&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Paul Auster&lt;/span&gt;&lt;/a&gt;, Toni Morrison et Jonathan Franzen, dans &lt;em&gt;Un air de New York&lt;/em&gt;.&lt;/p&gt;
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                        <item>
                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2011/09/30/flaubert-le-maitre-et-le-sauveur.html</guid>
                <title>Flaubert, le maître et le sauveur</title>
                <link>http://www.lauravanel-coytte.com/archive/2011/09/30/flaubert-le-maitre-et-le-sauveur.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                                <pubDate>Fri, 30 Sep 2011 16:05:38 +0200</pubDate>
                <description>
                    &lt;h1&gt;&amp;nbsp;&lt;/h1&gt;&lt;div class=&quot;infos&quot;&gt;&lt;span class=&quot;sign&quot;&gt;&lt;span class=&quot;auteur&quot;&gt;Par &lt;a class=&quot;journaliste&quot; title=&quot;La page de Dominique Guiou&quot; href=&quot;http://plus.lefigaro.fr/page/dominique-guiou&quot;&gt;&lt;span style=&quot;color: #003872;&quot;&gt;Dominique Guiou&lt;/span&gt;&lt;/a&gt;&lt;/span&gt; Publié le 28/09/2011 à 11:19 &lt;/span&gt;&lt;!--&lt;div class=&quot;clear&quot;&gt;.&lt;/div&gt;--&gt;&lt;/div&gt;&lt;!-- infos --&gt;&lt;div class=&quot;photo&quot;&gt;&lt;img src=&quot;http://www.lefigaro.fr/medias/2011/09/28/81ec7f10-e9b8-11e0-bbdf-8f61412ee623.jpg&quot; alt=&quot;Olivier Frébourg livre un récit d'une grande humanité sur le métier de père. (Mercure de France)&quot; border=&quot;0&quot; /&gt;&lt;br /&gt;&lt;span class=&quot;leg&quot;&gt;Olivier Frébourg livre un récit d'une grande humanité sur le métier de père. (Mercure de France)&lt;/span&gt;&lt;/div&gt;
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                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2011/09/22/paul-valery-ecrivain-malgre-lui.html</guid>
                <title>Je suis en train de lire:Paul Valéry, écrivain malgré lui</title>
                <link>http://www.lauravanel-coytte.com/archive/2011/09/22/paul-valery-ecrivain-malgre-lui.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                                <pubDate>Thu, 22 Sep 2011 15:43:40 +0200</pubDate>
                <description>
                    &lt;p&gt;&lt;img class=&quot;pano&quot; style=&quot;margin-top: 0px; width: 464px; border: #dd0019 3px solid;&quot; title=&quot;© Hulton archive/Getty images&quot; src=&quot;http://www.magazine-litteraire.com/content/system/media/Valery.jpg&quot; alt=&quot;21/09/2011 | Hors-série Paul Valéry, écrivain malgré lui - Hulton archive/Getty images - © &quot; /&gt;&amp;nbsp;&lt;/p&gt;&lt;script type=&quot;text/javascript&quot;&gt;// &lt;![CDATA[var addthis_pub = &quot;mensuels&quot;;var addthis_share = {content: &quot;C&amp;rsquo;est donc en pleine rentr&amp;eacute;e litt&amp;eacute;raire que nous publions un hors-s&amp;eacute;rie consacr&amp;eacute; &amp;agrave; Paul Val&amp;eacute;ry, et cela nous ravit. Que de malentendus &amp;agrave; son...&quot;};// ]]&gt;&lt;/script&gt;&lt;h3&gt;21/09/2011 | Hors-série&lt;/h3&gt;&lt;p&gt;C’est donc en pleine rentrée littéraire que nous publions un hors-série consacré à PaulValéry, et cela nous ravit. Que de malentendus à son égard ! Poète néoclassique, pur esprit délivré de la chair, théoricien dépassé ou pâle disciple de Mallarmé… Les préjugés sont nombreux – et nous avons essayé, à l’intérieur de ce numéro, de les dissoudre simplement.&lt;/p&gt;
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                        <item>
                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2011/07/08/les-annees-apostrophes-ecornees.html</guid>
                <title>Les années « Apostrophes » écornées</title>
                <link>http://www.lauravanel-coytte.com/archive/2011/07/08/les-annees-apostrophes-ecornees.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                <category>La presse</category>
                                                <pubDate>Fri, 08 Jul 2011 17:10:25 +0200</pubDate>
                <description>
                    &lt;div class=&quot;pad&quot;&gt;&lt;p class=&quot;gauche publi_article&quot;&gt;Article publié le 03 Juin 2011&lt;br /&gt;Par Pierre Assouline&lt;/p&gt;&lt;p class=&quot;droit publi_article&quot;&gt;Source : LE MONDE DES LIVRES&lt;br /&gt;Taille de l'article : 805 mots&lt;/p&gt;&lt;span class=&quot;clear&quot;&gt;&amp;nbsp;&lt;/span&gt; &lt;strong&gt;Extrait :&lt;/strong&gt;&lt;p&gt;A la rentrée, il faudra avoir l'oeil sur les Mémoires, souvenirs, autobiographies d'écrivains. Surtout sur leur Journal, qu'il soit intime ou littéraire. Notamment sur les pages couvrant la période 1975-1990. Cela vous rappelle quelque chose ? Les années « Apostrophes », et leur prolongement dans les années « Bouillon de culture ». Leur histoire n'a pas encore été écrite alors qu'elles jouèrent un rôle unique dans la diffusion des idées. Une autre époque des livres, de la librairie, de la lecture et surtout de la télévision. En ce temps-là, leur animateur était relativement intouchable tant étaient nombreux les éditeurs qui se réglaient sur son émission pour assurer leur année. Les temps changent.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.lemonde.fr/cgi-bin/ACHATS/acheter.cgi?offre=ARCHIVES&amp;amp;type_item=ART_ARCH_30J&amp;amp;objet_id=1158965&amp;amp;clef=ARC-TRK-D_01&quot;&gt;http://www.lemonde.fr/cgi-bin/ACHATS/acheter.cgi?offre=ARCHIVES&amp;amp;type_item=ART_ARCH_30J&amp;amp;objet_id=1158965&amp;amp;clef=ARC-TRK-D_01&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
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                <guid isPermaLink="true">http://www.lauravanel-coytte.com/archive/2011/07/02/lorant-deutsch-dans-les-pas-de-celine.html</guid>
                <title>Lorànt Deutsch dans les pas de Céline</title>
                <link>http://www.lauravanel-coytte.com/archive/2011/07/02/lorant-deutsch-dans-les-pas-de-celine.html</link>
                <author>noreply@lauravanel-coytte.com (laura)</author>
                                                <category>La littérature</category>
                                <category>La presse</category>
                                                <pubDate>Sat, 02 Jul 2011 09:11:49 +0200</pubDate>
                <description>
                    &lt;h1&gt;Lorànt Deutsch dans les pas de Céline&lt;/h1&gt;&lt;div class=&quot;infos&quot;&gt;&lt;p&gt;&lt;span class=&quot;picto picto-mots-cles&quot;&gt;Mots clés : &lt;a href=&quot;http://plus.lefigaro.fr/tag/lorant-deutsch&quot; rel=&quot;tag&quot;&gt;&lt;span style=&quot;color: #003872;&quot;&gt;Lorànt Deutsch&lt;/span&gt;&lt;/a&gt;, &lt;a href=&quot;http://plus.lefigaro.fr/tag/celine&quot; rel=&quot;tag&quot;&gt;&lt;span style=&quot;color: #003872;&quot;&gt;Céline&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class=&quot;sign&quot;&gt;&lt;br /&gt;01/07/2011 | Mise à jour : 16:46 &lt;/span&gt;&lt;!--&lt;div class=&quot;clear&quot;&gt;.&lt;/div&gt;--&gt;&lt;/div&gt;&lt;!-- infos --&gt;&lt;h2&gt;Dans un film documentaire qui sera diffusé l'automne prochain sur la chaîne Histoire, le comédien proposera une visite inédite des lieux de la capitale ayant compté dans la vie et l'oeuvre de l'écrivain disparu il y a cinquante ans. &lt;em&gt;Le Figaro Magazine &lt;/em&gt;a assisté au tournage.&lt;/h2&gt;&lt;div class=&quot;texte&quot;&gt;&lt;img src=&quot;http://www.lefigaro.fr/icones/coeur-.gif&quot; alt=&quot;&quot; border=&quot;0&quot; /&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt;
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