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Catégories : CELLES QUE J'AIME, Des femmes comme je les aime

Hannah Höch

Hannah Höch Publication

 
23 March 2014
Galleries 1, 8 & Victor Petitgas Gallery
(Gallery 9)

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Tickets now available: £9.95/7.95

Time Out Competition
Cass Art Competition

Advance Booking is strongly recommended.


Hannah Höch was an artistic and cultural pioneer. A member of Berlin’s Dada movement in the 1920s, she was a driving force in the development of 20th century collage. Splicing together images taken from fashion magazines and illustrated journals, she created a humorous and moving commentary on society during a time of tremendous social change. Höch was admired by contemporaries such as George Grosz, Theo van Doesburg and Kurt Schwitters, yet was often overlooked by traditional art history. As the first major exhibition of her work in Britain, the show puts this inspiring figure in the spotlight.

Bringing together over 100 works from major international collections, the exhibition examines Höch’s extraordinary career from the 1910s to the 1970s. Starting with early works influenced by her time working in the fashion industry, it includes key photomontages such as High Finance (1923) which critiques the relationship between bankers and the army at the height of the economic crisis in Europe.

A determined believer in artistic freedom, Höch questioned conventional concepts of relationships, beauty and the making of art. Höch’s collages explore the concept of the ‘New Woman’ in Germany following World War I and capture the style of the 1920s avant-garde theatre. The important series ‘From an Ethnographic Museum’ combines images of female bodies with traditional masks and objects, questioning traditional gender and racial stereotypes.

Astute and funny, this exhibition reveals how Höch established collage as a key medium for satire whilst being a master of its poetic beauty.

Tickets are now available to book online whitechapelgallery.org/tickets or call 0844 412 4309

Exhibition Circle Supporters: Louis and Sarah Elson.

Catalogue made possible by the support of Ernst von Siemens Kunststiftung.

The exhibition is accompanied by a major new publication, Hannah Höch, edited by Prof. Dawn Ades OBE, Emily Butler and Daniel F. Herrmann. £29.95.

Limited editions have been produced in response to the works of Hannah Höch by artists: Lukas Blalock, Marcel Dzama, Linder, Goshka Macuga, Shinro Ohtake and Mai-Thu Perret. Please ask at the info desk for more details or visit whitechapelgallery.org/shop.

Read more about the exhibition (pdf)
Read more about the artist (pdf)

Hannah Höch Winter Events Programme

25 January Film: Delirium, Desire, Danger: Dada!

30 January Talk: Daniel F. Herrmann and Dawn Ades on Hannah Höch

20 February Gallery Talk: Chisato Minamimura on Hannah Höch

22 February Film: From Dada to Data

5 March Crib Notes: Hannah Höch

Image credits

Home page image:
Hannah Höch, Für ein Fest gemacht (Made for a Party) (detail) 1936, collage, 36 x 19.8 cm, collection of IFA, Stuttgart.

Exhibition page images:
1 - Hannah Höch, Für ein Fest gemacht (Made for a Party) 1936, collage, 36 x 19.8 cm, collection of IFA, Stuttgart.
2 - Hannah Höch, Aus der Sammlung: Aus einem ethnographischen Museum (From the Collection: From an Ethnographic Museum) 1929, collage and gouache on paper 26 x 17.5 cm, Scottish National Gallery of Modern Art, Edinburgh, bequeathed by Gabrielle Keiller, 1995.
3 - Hannah Höch, Ohne Titel (Aus einem ethnographischen Museum) (Untitled [From an Ethnographic Museum]), 1930, collage, 48.3 x 32.1cm, Museum für Kunst und Gewerbe, Hamburg, photo: courtesy of Maria Thrun.
4 - Hannah Höch, Kleine Sonne (Little Sun), 1969, collage, 16.3 x 24.2 cm, Landesbank Berlin AG.

http://www.whitechapelgallery.org/exhibitions/hannah-hch

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