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LE MONDE | 30.04.2014 à 11h39 | Par Yann Plougastel
La couverture de "La Mule du coach" | LE MONDE
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Woolf, Virginia, Des femmes-Antoinette Fouque, 1983 |
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Ce livre réunit une sélection d'articles et d'essais critiques publiés par Virginia Woolf entre 1904 et 1934. La première partie du recueil est consacrée à sept essais polémiques sur les femmes et l'écriture. La seconde partie, plus abondante, rassemble 18 études de romancières dans la tradition littéraire féminine (Aphra Behn, la duchesse de Newcastle, Jane Austen, Katherine Mansfield, etc.). |
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21.1 Maison à San Fransisco
(Etats-Unis)
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21.2 Maison à San Fransisco |
Ascot, 1912
James Ensor L’Intrigue, 1890, toile 90 x 150 © Lukas - Art in Flanders VZW / Musée Royal des Beaux-Arts d’Anvers
Nathalie Lebrun, attachée culturelle de la ville de Morestel, et Bernard Deviller, président des amis de la maison Ravier, présentent les œuvres d’Albert Gleizes, l’initiateur du cubisme, et de ses adeptes lyonnais.
Joseph Wright of Derby: Bath and Beyond
Roper Gallery £6.95 | Concessions
'A cracking show about a fascinating painter' Richard Dorment The Telegraph>>
'Wright there: Derby artist's sojourn in Bath revisited' Mark Brown The Guardian>>
'Joseph Wright's time in Bath was grim but, as an exhibition in the city illustrates, it was also the making of him' Rachel Cooke The Observer>>
'Ringing with commendations: Joseph Wright' Martin Oldman Apollo>>
Joseph Wright ‘of Derby' (1734-1797) lived and worked in Bath between November 1775 and June 1777. This brief and little-known episode in Wright's life marked a crossroads in his career, yet it has never been explored in detail. ‘Joseph Wright of Derby: Bath and Beyond' will place Wright in the context of the many artists, musicians, writers, business people and scientists living and working in the Georgian spa and present for the first time a comprehensive view of his life and work during those eighteen months. The exhibition and accompanying catalogue will also go ‘beyond' to examine the effect of his time in Bath and his travels in Italy on Wright's later work.
Vesuvius in Eruption, with a View over the Islands in the Bay of Naples c. 1776-80
Oil on canvas, 122 x 176.4 cm © Tate, London 2013
"I have taken the Liberty to give this Letter of Introduction to my Friend Mr. Wright of Derby, Who since his Return from Italy is come to Bath, & Designs to settle there."
Erasmus Darwin, 22 November 1775
Wright came to Bath to paint portraits, hoping to build on the success of Thomas Gainsborough who had recently left for London. The exhibition will include the three remaining portraits that the artist certainly made in Bath, including his painting of the elderly Rev. Thomas Wilson with the young daughter of Catharine Macaulay, the radical historian.
Whilst in Bath Wright worked up landscape studies he had made in Italy, producing spectacular views of Vesuvius in Eruption and the dazzling firework displays of Rome, the highlight of a visit to the artist's studio in Brock Street. It was whilst in Bath that he first began to explore subjects from sentimental contemporary literature, which in turn have a strong impact on his portrait composition, and the exhibition will include some of his most beautiful depictions of figures alone in the landscape.
We are grateful to Derby Museum, which holds the world's largest and finest collection of Wright's work, for its generous loans to this exhibition which will include The Indian Widow, The Alchymist and some beautiful drawings. Other lenders include the National Gallery, Musée du Louvre, Tate, the British Museum, the Walker Art Gallery and the Fitzwilliam Museum.
The exhibition is sponsored by Lowell Libson Ltd and supported by The Paul Mellon Centre for Studies in British Art
This exhibition will travel to Derby Museum and Art Gallery
1. La Volupté du billabong - Une Nouvelle de Hervé Claude, illustrée par Loustal
2.Cannibales - Une Nouvelle de Philip Le Roy, illustrée par Götting
